Kelsie Kimberlin - Everything's Better
Kelsie Kimberlin is a modern-day genre cruiser, and with Everything’s Better, she comes at us with no holds barred.
CBATCH - The Vault 3 - Club/Dance, R&B, Soul/Funk/Pop/Techno/Etc
Disco is making a comeback in the suavest of ways, and C’batch and his latest release, The Vault 3 - Club/Dance, R&B, Soul/Funk/Pop/Techno/Etc.
Keesha Blair - Truth Always Shows Its Face
Truth Always Shows Its Face by Keesha Blair is a number is not for the week.
My Glass World - We're All The Same
- English (US)
Jamie Telford's project My Glass World’ deliver a hypnotic escape in latest single "We're All The Same"
Mister Chorister - Spark
There is a connection that Mister Chorister forms with the listeners with his nostalgic beat structure in Spark, his latest release.
Connie Lansberg - Aeroplane
- English (US)
Connie Lansberg's Aeroplane doesn’t care about catching your attention immediately from the first note. Read the full review only on IndieMusicFlix!
Behrang Ghodrati - Pure
- English (US)
Behrang Ghodrati’s latest 6-track EP Pure feels like opening a door you probably shouldn’t, then staying because you need to know what’s inside.
Emerald Park - Lovers in Reverse
- English (US)
Emerald Park’s latest single, “Lovers in Reverse" is a slow-burn track that almost lulls you into a sleepy trance. Read the full review only on IndieMusicFlix!
Milyam - Lost in the Jungle
Get your sunglasses out because Milyam is bringing in the summer heat with her cool-as-a-cucumber lyrics in Lost in the Jungle.
Rusty Reid - All Through My Days
The summer sun is embedded in every word that Rusty Reid has tucked into his latest release—All Through My Days.
Headbase - It Must Be Hard To Be A God
- English (US)
From the opening seconds of Headbase's "It Must Be Hard To Be A God", the track locks into a slick groove with funky bass lines that make you feel like you're in a crowded dance floor. It's rhythm sneaks up on you and catches you off guard. The beat is energetic, even when the vocals turn softer. Headbase plays with tension very well. The falsetto vocals are crazy. They give the track a polished but emotional edge without sounding overdone. The synth work deserves a lot of credit too. The hazy retro-pop energy feels inspired by bands like Depeche Mode. The production sounds modern but laced with nostalgia. The song eventually becomes more experimental. The electronics become foggier and abstract. It is one of the strongest parts of the song because it makes it more unpredictable. Then the strings arrive near the end and push everything into a dramatic finish. This song can easily fit into a film like Blade Runner during one of its neon-lit city sequences.
Don’t Come Knocking - Tahani
Don’t Come Knocking perfectly matches the rhythm of the heart that has been wronged, and Tahani is a fire that ignites the heart.