Carter Fox-Cosmic Sunrise Live at Everloft Studios
Carter Fox has a unique approach to music. His hunt for tone and meticulously crafted compositions is his driving force. Ranging from chill hip-hop tunes to experimental jazz as well, this virtuoso is constantly looking for sources of inspiration and expanding his sonic horizons. This is his latest single, Cosmic Sunrise Live at Everloft Studios. With a silky, floating synth background, the bass interacts for a liminal conversation. It is in tandem, the growth and syncopation, each telling its own tale within tone and rhythm. In parts, the instrumentals break off to create their own lead pocket, becoming this exciting being that vibrates with a newfound energy. As each forages for its own path, there are chance interactions, crafted through the sorcery that lies in music. Steve Honz collaborates for this one, and the live play-by-play is an interesting outcome to watch. I encourage you to take a look at the breakthroughs and joys of a live recording session. I could hear this music for any focused transition, especially in biographies and travel logs where a picturesque setting captures the eye. The fresh outcome of the track and the powerful overlaps create their own biosphere, and so much is achieved with the keys. This leads to the top of Carter Fox and his pyramid of growing surprises. Without realizing, you might have come across many of his tracks. Songs like Eclipse and M87 are some of his hottest numbers, streamed constantly on Spotify. His compositions are a relaxing haven, and there is always something tantalizing for the senses. Carter Fox is an atmosphere god, listen to his tracks and explore his catalogue!
Alec Berlin-Minir Maad
Some artists can’t do without lyrics. Alec Berlin aims to do without them. His songwriting has a vocal ghost that trails it, making each instrumental part seem like choice verse sections. From the time I heard his single Life in the Bog, there was a tectonic shift. Phrasings and alternates to create this saucerful of notes is what we aim to hear. This is his latest single, Minir Maad. Shuffling through minor keys, Alec Berlin takes us through an Arabic wonderland. For this track, call him Scheherazade, because he is narrating an enamouring tale with just his stringed instrument. So the name of the track comes from Minor Mod, and the Algerian strain makes it something exotic! The choice of instrumental sorcery is abundant and scarce, shifting through paths and alleys to show us what he experienced. The “chorus” has some exciting bends and twists, making this song the carpet ride that it is. Here, Alec Berlin details a documentary as a traveller through the Arabian Peninsula. I could definitely see this featured on Somebody Feed Phil and Dark Tourist. Shows that definitely try to expand and broaden the horizons of thought with different takes in culture, that you must check out. If you truly want to hear Alec Berlin’s sound, you better shuffle through his entire catalogue. Each sound and approach is different. President’s Day, What I Wish I Had Said and Patchen Avenue are some favourites. So go ahead, travel the world of sounds with this talented guitar virtuoso.
Kelsie Kimberlin- Rooting For My Baby
Kelsie Kimberlin is an American Singer, Songwriter who has always been driven to make important art that speaks of change. Fruit Basket is one such song and it happens to be her most played single. It brings to light how we live in a world that unites us all by our shared experiences and feelings. Kelsie’s latest release “Rooting For My Baby” is a rendition of Miley Cyrus’ “Rooting For My Baby”. In the earlier version, Miley spoke about supporting her friends who were struggling to cheer them up in her medley. It seemed fit for her to work with this particular single as it is her favourite song by Miley. What sets Rooting For You by Kelsie Kimberlin apart? In contrast to the original song, Kelsie's "Rooting For My Baby" discusses a completely different subject. Kelsie Kimberlin sings for her fellow Ukrainians to hold onto hope. Being Ukrainian herself, She felt it was important to address this matter. She then created a song beautifully illustrating that there is light at the end of the tunnel. The original song features a more relaxing beat pattern. Compared to which, Kelsie's peppiness is a welcome change. Rooting for my baby is filled with guitar, drums and upbeat harmonies that elevates the atmosphere of hope within the soundtrack. “So you roll up your sleeves and you sweat and breathe. This is a long road, so much more to go. Just hold on.” she sings. Ryan Murphy took a break from horror and gifted the world with The Politician. The series does a beautiful job of inclusivity and addressing uncomfortable matters head-on. “Rooting For My Baby” is a song that is tailor-made for the two season saga. The series is a complex comedy and is worthy of having this particular song added to its playlist. Art has always been a strong tool of activism during politically charged moments. Kelsie has contributed a beautiful piece of herself to the movement through her music. You can follow her on all her socials to get a better idea of how she stands at the intersection of hope and art.
Clay Joule - O'dream
The latest release from American artist Clay Joule, O'dream, is a musical masterpiece that showcases his artistic prowess as a songwriter and record producer. The song is a blend of traditional soundscapes and contemporary music, which creates a unique and refreshing sound that is both captivating and infectious. The song starts with a hard-hitting guitar riff that sets the tone for the rest of the track. The intricate guitar licks and catchy rhythm sections that follow are a testament to the musical skill and creativity of Clay Joule. The melody is infectious, and it will have you tapping your feet and nodding your head in no time. The song was recorded at Truwan Studio, which is renowned for producing high-quality music. The studio's state-of-the-art equipment and experienced engineers have ensured that the song is of the highest quality, both sonically and musically. Clay Joule sends a message With every passing day, the fight for freedom taking place in Ukraine gets more and more intense. Ukrainians all across the country are giving up their lives to protect their human rights against the terror of the Russian army, and their struggle has inspired the world to stand to band together in staunch support of Ukraine. O'Dream's Singer-songwriter Clay Joule is among those who have been touched watching this incredible struggle. Finding inspiration in wanting to spread support for the Ukrainian dream of peace. Featuring the plight of Ukrainians, the song is part of a movement called “Fight 4 Freedom,” which Clay Joule hopes will bring more support for Ukraine and its pursuit of justice. O'dream is a perfect addition to any Indie Pop playlist. The track is versatile and can be used in various contexts. It would fit perfectly in a movie or TV series with a coming-of-age theme, where the protagonist is navigating the complexities of life and relationships. Movies like The Breakfast Club and TV series like Stranger Things would be an apt fit for the musical direction of this masterpiece. In conclusion, O'dream is a fantastic addition to the already impressive repertoire that Clay Joule has created. The song is a testament to his artistic skill and ability to blend different music genres including folk, glam rock and indie pop. If you're a fan of Indie Pop or the age-old Glam sound, then O'dream is a must-listen
DaeMarcus - Take It Back
The latest album from DaeMarcus, 'Take It Back', is a stunning and immersive work of art that showcases the artist's talent for creating atmospheric and dream-pop music. Drawing influences from post and lo-fi genres, DaeMarcus has crafted a mellow and introspective pop album that explores complex emotions and experiences through its lush instrumentation and ethereal soundscapes. A worthy tribute to Alternative Indie Pop From the very first track, "Moving Out," the listener is transported into Adam Araujo's world, where introspection and self-discovery are the norms. The track starts with a melodic pad that is soon joined by atmospheric VSTi sounds and lush instrumentation. DaeMarcus's vocals are soft and tender, creating a dreamy ambience that is perfect for the album's mood. Throughout the roughly 44 minutes long album, DaeMarcus explores a variety of themes, including love, loss, and personal growth. The pumping rhythm of the track "Bleed" is haunting and iconic at the same time. The instrumentation is sparse, consisting mainly of a simple piano melody and a steady bassline, reinforced by layers of guitar harmonies. The South Coast Massachusetts-based artist's vocals are emotive, conveying the pain and sadness of the lyrics perfectly. "Live or Die" is another standout track that showcases DaeMarcus's talent for crafting memorable melodies and immersive soundscapes. DaeMarcus's vocals are soft and vulnerable throughout most of the album, never really taking the center stage for too long, conveying the complex emotions of his melancholic music. After his 2022 debut Trials & Errors, the new album is a welcome addition to the producer's discography. DaeMarcus presents a promise to take it back The album's title track, "Take It Back," makes creative use of samples. It is a powerful ballad that encourages the listener to take control of their life and embrace change. The instrumentation is articulate and hints at the musician's command over his creative expression. Also featuring a soaring guitar solo and a variety of VSTi sounds including a gorgeous cello, the sound is reminiscent of bands like Death Cab for Cutie and Cigarettes After Sex. DaeMarcus has successfully created a brilliant piece of art that contributes further to the niche indie alt-pop library. The production quality of 'Take It Back' is reminiscent of indie mixes, giving the album a unique charm that sets it apart from other contemporary pop albums. This album would be perfect for fans of TV series like "DARK" which also draws inspiration from the sci-fi fantasy genre and features experimental ambient soundscapes. Additionally, it would fit well into movies like "Eternal Sunshine of the Spotless Mind," which explores complex themes of love, loss, and personal growth through its dreamy and introspective soundtrack. In conclusion, 'Take It Back' by DaeMarcus is a must-listen for anyone who loves ambient pop music that explores unique sounds and delves into themes of love, loss, and personal growth. From start to finish, this album is a powerful testament to the transformative power of music and a reflection of DaeMarcus's talent as a singer-songwriter.
Electric High - Seven Wonders
The new single by Bergen, Norway-based band Electric High, 'Seven Wonders', is a powerful rock track that delivers an epic experience with its thunderous guitar riffs and driving drum beats. The dual vocals of the singers add a unique flavour to the song, which tells a story about biting off more than you can chew and making grand promises inspired by the ancient myths and wonders of the world. The production quality of the song is impressive, with a balanced mix that lets every element of the music shine through. The heavy guitar riffs are well-defined, and the drums provide a solid backbone to the song, making it impossible not to nod your head along with the beat. The vocals are skillfully mixed, with each singer's voice occupying its own space in the mix, allowing them to complement each other while still standing out on their own. Seven Wonders was recorded in Havnelageret Studio, Bergen, Norway. Produced by Electric High and engineered by Daniel Birkeland. Mixed at Solslottet Studio, Bergen, Norway, by Iver Sandøy. Electric High delivers a power packed new track based on mythology One of the standout features of 'Seven Wonders' is the way it combines ancient history with modern rock music. The lyrics reference legendary figures such as Zeus, Helios, and King Nebukadnesar, creating a sense of grandeur and mythology that fits perfectly with the song's soaring guitars and intense vocals. The result is a song that feels like an epic adventure, taking the listener on a journey through time and space. If 'Seven Wonders' were a movie soundtrack, it would fit perfectly into movies that feature grand, sweeping landscapes and epic battles. For example, the song would be a great fit for the battle scenes in 'Gladiator,' where the intense guitar riffs and driving beat would help to ramp up the tension and excitement of the fight sequences. Similarly, 'Seven Wonders' would be at home in 'Lord of the Rings,' where the lyrics and music would perfectly capture the epic scale of the story. Overall, 'Seven Wonders' is a powerful and engaging rock song that showcases Electric High's skill and talent as a band. The combination of ancient history with modern rock music creates a sense of grandeur and mythology that fits perfectly with the song's soaring guitars and intense vocals. 'Seven Wonders' is a must-listen for anyone who loves alternative rock music, epic adventures, and a touch of mythology.
Jacques Bailhé-A Mother's Tears
Jacques Bailhé is a well travelled musician. Something like that speaks through your music. Whether it is voluntary or an expression through art, you hear traces of it everywhere. He has travelled through India, Nepal, and Thailand in search for other planes of music. Just hearing any of his songs will give you that essence. This is his latest single, A Mother’s Tears. Interlacing ambient elements, what was the real tale behind an immense track like this? The sorrow that speaks As so often happens to me, a fragment or phrase sticks in my head, either something I’ve invented jamming on an instrument or something I heard. I start exploring its sound or harmony implications, thinking of it as pure music, but almost without exception, as I develop it into a composition. I’m led by the emotions I feel in response to the music I develop and begin to imagine a story. A Mother’s Tears grew from a piece of melody from Vivaldi’s Stabat Mater. We immediately associate that music with church because, of course, it’s a contemplation of Mother Mary experiencing the Crucifixion of her son, a defining event of the Western world—in many respects, the defining event. But none of that story took place in a church. It took place in 1st-century Judea, a city that socially, wasn’t really so different from our own. If we recount the events in plain language, without religious associations, it’s a story that constantly repeats in every city around the world: a mother’s child is brutally, senselessly killed with a gun. More often than not, the child is innocent in every way—innocent of any crime, and still so young. We see images of this repeated on the news without end. A weeping mother cries out in unbearable pain, the “reason” for the killing pathetically meaningless and insignificant compared to the loss. By our inaction, we allow this to continue. Our mannered sympathy and bizarre rationalizations do nothing to end this. We are as brutal as ever. That strikes me as hopelessly tragic. I‘d be overcome with despair, except for this: as these images and sounds come from my television, what I see every time is a mother standing as a pillar of strength, begging, demanding that we abandon antiquated ideas and uphold the fundamental ideals of civilization: co-operation, harmony, compassion. This dance marvels at the towering, inexhaustible strength of mothers—mine and yours—as yet another begs us to change. I had to do something to try to stop gun violence. Since I’m a composer, I’m using music. Channeling echoes of memory Just the ambient opening can give you a cinematic dive into his music. As the strings and piano come in, you’re invited frame by frame into his mind. The notations seem to have the limbic character of a protagonist, and your ears are fixated. Dramatic confrontations are felt between the piano and strings. Being a multi-instrumentalist, what is your primary mode of composition? Does it vary for each song? Yes, it does vary for each song, but most often I begin from improvisation on piano, guitar, bass, or a rhythm. Some pieces have been written starting in notation from something I hear in my head. Even pieces that begin from improvisation go into notation at some point to help me work things out As the layers start folding in, parallel melodies craft the tension. In an epic like this, you cannot bear to imagine the tragedy. In a case like this, it is important to mould the shoes of who you’re viewing the scene through. All the notes point to the sorrow at the moment, and each second is held for what it wants to transpire. Jacques Bailhé composes as though he experiences it all What are the greatest lessons travelling in search of music have given you? As Jean Luc Godard once said about filmmaking, “There are no rules, but you break them at your peril.” Learning some Sitar in India and Nepal taught me about structures and forms that are very different from western music. African concepts of musical forms and harmony, as well as different ideas about the use and purpose of music are also differ from Western ideas. Wanderlust leading to art All that and the historical development of Western music itself made me think about how genre and other aspects of theory are arbitrary cultural inventions. The 14th century French composer Guillaume de Machaut explored harmonies you can find in Coltrane and Thelonious Monk. My music freely mixes genre and conventions of form and harmony. It helps me to learn about those things, but ultimately, for me, music is all about emotion. As the strings and piano narrate, the phrasing is what drew me in. This might be instrumental through and through, but just the modulation in the instruments creates the necessary frames of sound. As an artist, Jacques Bailhé takes you to the stage, to see these emotions in transit. It is a spectacular track that takes your breath away. Are there some elements of memory you haven't been able to translate as music? In instrumental songs, which becomes the most complex part? Memory is a fascinating part of music. It seems difficult for listeners to understand a piece if there aren’t any signposts to let you know where they are, how things have changed, and point to where the composition is going. Those signposts are most often created from a melodic or rhythmic phrase: a lick, riff, or hook that restates part or all of the melody or a rhythm in some way. Listeners apparently need this repeated element that engages their memory to understand how a piece develops. Your album Shiva in Flagrante was a brilliant work of art, something that borders every kind of sound. What is your next ambitious project? As usual, I work on more than one piece at a time. I never know which one will be finished first I immediately thought of Lés Miserables & Schindler’s List when I heard Jacques Bailhé . Both movies have emotional trauma depicted in its truth. You will not hear a better album than Shiva in Flagrante, his collection from 2022. This is a brilliant artist with virtuosic compositional skills. Follow him for more spectacular music!
Red Bird Rising - My Revolution
The greatest writing comes from urgent need, and it is just such a palatable sense of urgency that motivated musician, songwriter and producer Diedrich Donald Weiss, known by his musical alias RED BIRD RISING, to write "My Revolution". "My Revolution" is at once a profound love song and an immense anti-war statement. A tremendous undertaking and community effort, "My Revolution" features a wide range of instrumentation and musical collaborators, including Ukrainian husband and wife Taras Kuznetsov on lead vocals and Ana Pshokina on bass. My Revolution is the first RED BIRD RISING release, featuring Taras Kuznetsov on lead vocals and co-directing the video about his experience living in Odessa, Ukraine, during the Russian invasion. The production of My Revolution was done under the constant threat of missile and bomb strikes, which added a sense of urgency to the project. Mariano Cukierman, a producer in Buenos Aires, recorded Fernando Moreno on drums and tracked electric guitar and keys using Diedrich's guitar riffs and backing vocals. Taras had to walk over an hour to his studio to track lead vocals while worrying about missile and bomb strikes After Ana Pshokina tracked bass in Odessa, Megan Gould tracked violins and violas in New York with session cellist Eleanor Norton. Diedrich, Taras, and Mariano collaborated on mixing the audio of My Revolution, incorporating audio from the Ukrainian protests during the Orange Revolution of 2014. The intro features guitar feedback harmonics echoing through history. The consequences of global conflict and the inhumanity of war The video production for My Revolution took place in Odessa, where shots were taken during the day and at night, including chilling sirens heard from Taras's apartment. Diedrich edited the video, using footage shot by Taras and others from sites like Dattalion and Ukraiine Today on Telegram. To convey the inner struggle, Diedrich used dance scenes shot by Flor Giardino in Buenos Aires featuring choreographer and dancer Melina Ascune. Despite the bombings from Russian missiles that damaged Odessa's energy infrastructure after the explosion on the Crimea Bridge, Diedrich and Taras (along with his wife) completed the project. My Revolution showcases the personal stories of artists from different parts of the world coming together to create something meaningful, despite the challenging circumstances. The project is a testament to the power of collaboration and creativity in the face of adversity. The lyrics of the song are sure to move one's soul. Red Bird Rising states, "There are times you know we all need a rest, Can’t lose my mind, checking the headlines, Play my piano instead, Good good, they haven’t yet bombed my home..." The song would be a perfect companion to movies that explore themes of historical wars with a focus on human emotions in the narrative. Revolutionary works of cinema like The Pianist, Schindler's List, and Saving Private Ryan come to mind.
Lazywall - Kan Hez Yeddi
Lazywall, the Moroccan rock trio known for their oriental rock/metal hybrid, have released a new single titled "Kan Hez Yeddi". Sung entirely in Arabic, the song explores themes of societal unrest and personal turmoil with an alternative rock sound that has a dark undertone. The track revolves around a guitar arpeggio that is reminiscent of the band's roots in hard rock and grunge. The song begins with a haunting guitar riff, setting the tone for the track's ominous atmosphere. The vocals kick in with a raw intensity, showcasing the band's ability to convey emotion even to listeners who may not understand the Arabic language. The chorus hits hard with a hook that will stay with you long after the song is over. Midway through the song, the guitar takes center stage with a killer solo that pays tribute to the band's Arabic roots. The solo is a standout moment in the track, showcasing the band's technical proficiency on their instruments. The track then returns to the main guitar riff before ending with a powerful crescendo. "Kan Hez Yeddi" is a song that would fit perfectly in a movie soundtrack. The track's alternative rock sound and dark undertones make it an ideal fit for movies with intense, emotionally charged scenes. Lazywall delivers a haunting track with a touch of originality The track's haunting atmosphere and powerful guitar riffs would fit perfectly in a movie like "The Yacoubian Building", which is set in Cairo and explores the lives of residents living in a single apartment building. The film tackles themes such as corruption, gender and class inequality, and religious extremism. "Kan Hez Yeddi" would be a great fit for a scene where the characters are grappling with these issues. Alternatively, the song could also fit in a movie like "Wadjda", which is set in Saudi Arabia and follows the story of a young girl who dreams of owning a bike despite societal norms. The film explores themes of female empowerment and the struggle against cultural expectations. Overall, "Kan Hez Yeddi" is an impressive addition to Lazywall's discography. The band's ability to merge traditional Arabic scales and instruments with powerful altrock creates a unique sound that sets them apart from their contemporaries. It's a powerful statement from a band that is only just getting started. Lazywall is indeed an incredible act to watch out for in the Moroccan indie rock/metal scene.
Stuart Chaseman- Sins
As soon as the guitar riffs paired with the keys kick in in Sins you know Stuart Chaseman will be taking you on a blues Rock journey that will leave you spellbound. From the very first note, Stuart pulls you in hook, line and sinker. There’s no space for wondering, Sins is a new age blues and rock masterpiece that is sure to hit the spot in you ear. Right after the keys and guitar riffs, Stuart enters with his gritty voice, commanding your attention with grace. What you the hear is his soulful vocals carries an impressive range that perfectly complements the track’s bluesy undertone. Each note is hit with precision and every word is infused with emotion and depth. It has you hanging onto every word that leaves his mouth. The production on Sins is top-notch, with a striking balance between rawness and polished refinement. There is this yearning for reconciliation and it tugs at your heart strings. A similar sort of reconciliation scene that comes to mind is a scene from Rent. A scene of reconciliation between Mimi and Roger. Sins would be a perfect addition in this very scene in Rent. Not only that, Sins would be perfect to Rent’s playlist for multiple reasons. One of them happens to be that it too has that classical come Rock intersection. The entire musical is a masterpiece by Johnathan Larson, a man who was taken too soon. Stuart Chaseman creates a personal environment with his listener leading to an intimate listening experience. With Sin’s infectious rhythm, killer guitar work and captivating vocals, this track is a must listen. You can find the links to Stuart’s social to do exactly that!
ELAD DAVID - TEARDROPS
The latest offering by Elad David, "Teardrops" is a captivating acoustic fingerstyle guitar instrumental that showcases the artist's impeccable musicianship and technical prowess. The song opens with a groovy guitar melody that is soon joined by subtle synths and wind instrument harmonization that add a layer of depth and colour to the soundscape. Additionally, the excellent production quality and impeccable use of the stereo field redefine the way modern acoustic music is mixed and Elad David proves himself as an efficient producer in the global indie scene. The guitar resonates with an ‘airy’ touch in the higher register while the musician’s percussive style is crisp and defined with a steady pumping low end. The intricate fingerpicking patterns on the guitar are reminiscent of the works of legendary fingerstyle guitarists such as Tommy Emmanuel, Andy Mckee and Jon Gomm, but Elad David's unique style and musical personality shine through in every note. The track has a melancholic quality that is sure to strike a chord with fans of acoustic music. In conversation with Elad David Elad David, born in 1981 in Be'er Sheva, Israel, began playing the guitar at age 12 and performed with his own band at 15. After military service, he studied jazz and contemporary music at the Rimon School for 3 years, acquiring theoretical and technical knowledge. IMF got in touch with the session musician and producer to get an inside peek at his methods. What was your artistic vision for your latest track? The composition at its base came from a technical place, I tried to combine interesting techniques and create some kind of special sound. But as always it turned into an emotional and more melodic tune. Teardrops seem to draw inspiration from the works of Jon Gomm and Andy Mckee. Who would you say were the biggest inspirations for this song? In this case Andy Mckee was definitely an inspiration. but then again, I'm inspired by many different acoustic players and this mixture, I think, is creating at the end something that is mine :) Being a pioneer of acoustic instrumentation, could you walk us through your recording and production process? Thank you for the compliment. I first recorded the acoustic guitar, I used an Austrian audio OC818 mic, It's an amazing microphone. The acoustic part is actually the main part. Originally when I composed it, I added some percussion on the guitar itself, but after I recorded the guitar I decided to try the UDU drum. and fitted amazing. Than I felt that there is something missing and that the melody isn't strong enough on it's own, My original idea was to sample some kind of whistle with my mouth and make a melody from that. but it was not successful at all. So I eventually recorded a keyboard and found that Pan flute sound that sounded cool to me. It's supposed to be like a second voice/harmony to the guitar. And then I mixed and mastered it of course. Do you have any tips for budding musicians who wish to explore fingerstyle guitar playing? In these days there are a lot of amazing guitar players, and there are a lot of free information and places to learn from. But for me the emotion and the melody is the most important thing. There are a lot of technical players that do crazy stuff but at the end when I listen to it, without watching, it's kind of boring musically. So my biggest tip is - Try to stay musical, and create melodies that are emotional and singable. “Grass is Blue” and “Uke Fever” has already nurtured a global audience for you in the past few years. What do you have in store for your fans next? Those 2 are instrumental albums. Most of my music is instrumental, but I also sing. Check out my original song - Be Water. Also, my next single (Due to be released in the 19th of May) is a song that I'm really proud of. with my lyrics and vocals of course :) Finally, being a multi-instrumentalist specialising in composing on stringed instruments, which one do you enjoy playing the most? And why? It's like asking me who I like more? my father or my mother? Very hard to choose, but I can say that I always felt that acoustic instruments bring out more authenticity and emotions. An Ode to Romance and Drama This instrumental could work well in a romantic drama film, such as "The Notebook" or "A Walk to Remember," where the music could enhance the emotional intensity of pivotal scenes. Alternatively, "Teardrops" could also be used in a contemplative and introspective film, such as "Lost in Translation" In conclusion, "Teardrops" is a beautiful and evocative instrumental by Elad David that showcases his exceptional talent as a guitarist, producer and composer. It's a must-listen for fans of acoustic fingerstyle guitar music and a perfect soundtrack for moments of quiet reflection and contemplation. Elad David is indeed an awesome new act to watch out for in the indie music scene of Israel.
TOM CRAVEN - MAKE YOURSELF KNOWN
Tom Craven has just released his sophomore album "Make Yourself Known," and it's an indie rock masterpiece that is sure to turn heads. Drawing influences from pop, garage rock, and alternative music, Tom's unique blend of genres shines through on this record. The album is the follow-up to his remastered debut album "The Unopened Letter & a Diary of Your Sloppy Apologies," which was also released in 2023. With 12 songs that clock in at 41 minutes, "Make Yourself Known" features standout tracks such as "Hidden City," "New Signals," "Catalyst," "Sleep," and "Little Steps." The production quality on this album is exceptional, with a masterful mix that features stereo depth, rumbling low frequencies, gorgeous vocal harmonies, and well-balanced compression throughout. Tom's extensive experience as a solo acoustic artist on the Watford/Milton Keynes music scene for over a decade is evident in the production quality of the album. Tom's emotive vocals are the backbone of "Make Yourself Known," and his storytelling and lyrical narratives are the centrepiece throughout the album. The guitar tones are reminiscent of the pop music in cinema during the 90s, with the songs built around guitar arpeggios that create a wholesome narrative. The album is a journey of self-discovery, and the tracks are a testament to Tom's ability to blend acoustics and rock in a unique way. The fourth track, "Secondhand Smoke," is our personal favourite. An upbeat blues rock number with carefully placed seventh chords that is a testament to Tom's ability to explore newer territories while staying true to his sound. Tom Craven has been making waves in the indie scene for a while now Tom Craven's history as a solo acoustic artist in the Watford/Milton Keynes music scene spans over a decade. During this time, he has toured extensively throughout the UK, Europe, and even California. He has built a reputation for his ability to blend acoustics and rock in a unique way, creating a perfect blend of music for all ages. His music has subtle elements towards indie and folk, but his real strength lies in his storytelling and confidence/presence onstage. As Dan O'Shea of 15 Minute Club stated, "Charming and beautiful, Tom Craven has a resolute integration between his music and his personality. Both warm and secure, his confidence is infectious." The Watford Observer also had glowing things to say about Tom Craven, stating, "Tom's soulful acoustic sound translates beautifully into both his powerful ballads and upbeat melodic tracks. Catchy songs about life, love and everything in between mean that this talented young musician is definitely one to watch." A diverse soundscape rooted in classic 90s pop music "Make Yourself Known" would be the perfect soundtrack for contemporary TV shows such as "Love Life" or "Master of None," with its indie rock vibes, moving vocals, and heartwarming storytelling. Tom Craven's music would also fit perfectly into movies that showcase the beauty of the human experience. The album's guitar-driven sound would also fit perfectly in a film like "Almost Famous" which showcases the power of music in our lives. In conclusion, "Make Yourself Known" is a fantastic addition to the artist's rapidly growing discography. With its unique blend of genres and Tom Craven's ability to craft moving narratives, the album is proof of Tom's growth as an artist and his willingness to explore new sonic landscapes. It's an album that will leave a lasting impact on the listener and solidify Tom Craven's place in the global indie rock scene. We can't wait to see what the musician has in store for us next!