Brian Bee Frank & Syndicated Madness - Chasing the Dragon
- English (US)
Brian Bee Frank & Syndicated Madness’ new EP Chasing the Dragon arrives with the punch of classic hard rock. Read more on IndieMusicFlix!
Razed by Rebels - Broken Paradigm
Tune into Razed by Rebels's sharp, industrial rock album, 'The Broken Paradigm'! The Texas-based rock group, headed by Jason Winfield, leans into dark, dystopian alt-rock that is evocative and downright chilling. The album's tonality and feel lies somewhere between Nine Inch Nails, Muse, and SOAD. Grand, cinematic rock ballads that hit hard and true. While Jason is the driving force behind Razed by Rebels, it's his connection and collaboration with various artists and engineers on the creation of 'Broken Paradigm' that makes it such a compelling, varied listen. Although the overall album stays true to Jason's razor-sharp, industrial hard rock energy, each one hits differently because of the collaborative approach chosen here. We open with 'Until It's Over', an immersive dystopian commentary that sounds like it should be the score to a TRON movie. Loaded with rebellious lyricism, heavy hypnotizing dub-rock melodies, melancholic harmonies, and a general disposition for revolution. Hope Irish's supporting vocals make it feel like an urgent conversation to be had. A stirring reminder to not give into the overarching evil that seeks to doom us all. Reminds us of Muse of 'Uprising', its a track that gets you amped and hyper-aware. Next, we have a reimagination of one of our favorite Marilyn Manson tracks, 'The Nobodies'. Razed by Rebels do such a great job with this reimagination. Honoring the original's slow-burning, emotional build up with a melancholic piano melody. Alva Slim's yearning vocals singing 'We are the nobodies', evoking sharp nostalgic feelings while keeping true to the original's gripping emotional core. 'Beware the Hunters' highlights Razed by Rebels' experimental, modern rock approach. It's a track that exudes a metallic, original personality, conveying a range of emotions through its cinematic, jagged alt-rock arrangements. 'Shattered Eyes' slows down a bit into more evocative, rhythmic, and melodious territory. A somber, almost emo-reaching track that screams rebellion. Strong lyricism, clearly written to hit a nerve, to evoke emotions of anger and uprising. The layered, tuned-up vocals disturb and rock you in the right measures. Halfway into the album now, 'A Way Through' suspends you in a weightless state. Its a beautifully composed track, gentle, evocative, and minimal. Perfecting the balance of everything that came before it. Speaks volumes to the Rebels's approcah to guiding listeners through the album with varied tonality and styles. 'Hiding Within' has us amped back up again. Zooming effects immediately raise your heartbeat, leading you into an excellent industrial rock arrangement. Very Rammstein-esque. Urgent, Hard-Hitting, and Irresistible. Headbang away! 'Together We've Lost' feels like you're approaching the end now. Cinematic, evoking a sense of unease with its slow-burning riffs, and excellent echoing vocals from Alexandra. Its a track that makes you reflect on all of humanity's horrors and ponder how we managed to fall so low. The final track, 'Heaven's Gate' feels like a full-circle kind of moment. Again, it builds theatrically, as if to let you know that we're in the endgame now. The urgent, despairing vocals make you really feel that this is the last stand. The final, heavy, industrial rock arrangements keep you hanging on the razor's edge till the very last notes. 'Broken Paradigm' is an impressive work of tracks, each storied and diverse, but together they convey a compelling, albeit unsettling, emotion. Razed by Rebels delivers a stirring collection that ignites a fire within, no doubt. This is an album that would a excellent score to a sci-fi, dystopian movie like 'V for Vendetta'
Kadeus - Invisible
Kadeus proves to us that electronic music doesn’t necessarily have to be sharp and edgy but can be smooth and flowing like in Invisible!
MANOSai - OFF to Venezuela
- English (US)
MANOSai’s latest single “OFF to Venezuela” comes charging out of the gate with the kind of unapologetic energy that defined late-’90s hard rock radio.
Ping Machines - From 1 2 Another
- English (US)
Ping Machines hit hard and fast on “From 1 2 Another,” a track that feels like a steel-toed boot slamming the door between power metal precision and heavy garage rock swagger.
Ben Rankin - Save Your Tears
- English (US)
“Save Your Tears” hits hard from the opening seconds, announcing Ben Rankin’s intent with absolute clarity. Drawing inspiration from hardcore while fusing it with the grit and swagger of nu-metal, the track thrives on tension, release, and raw conviction.
Gary Dranow-Fool Outta Me
Gary Dranow might be a regular feature in your rock and drive playlists now. His journey has been inspirational, and the resulting music, really cool and groovy. This time, Gary wants to take us back to the track that he began 2022 with. This is his single, Fool Outta Me.
Requiem For Oblivion-The Glares
Requiem For Oblivion comes from the complex mind of Steve Jacobson. You don’t need to hear more than a few seconds to know what a master of the metal scene he is. Instead of pandering to the listeners, his music reasons with reason. Rooting from real life experiences, his commentary is on the absurdities that surround society. Don’t let the system tread over you. This is the latest single, The Glares.
Pressure-Sacramental Anger
Classic rock gets associated with the likes of UK and USA, who have heralded their music to be what defines the genre now. However, bands like Pressure know there are more approaches than lamenting about the woman that left you with a guitar solo interlude. Their tracks break the norm, recreate the form and make something that is truly and originally theirs. Sacramental Anger is their latest single. This “melodic rock” genre that they spearhead has the appearance of coloured wax layered-creating a flamboyance that can’t be contained. With chugging metal influences as well, the vocals are the crown jewel in this collection of notes. The genre doesn’t limit the vocals within the main rhythm. Soaring with her unique vocals, Olof Jönsson ensures there is mystery and a control that can come only from an operatic singer. Pressure fix the boring form bands have continued for decades to make it centered around a gargantuan melody. Their album released earlier this year shows an approach that many couldn’t even fathom. With their self-titled track garnering quite the number of streams on the platform, you know you’re getting something new every time with a band like Pressure. They have created a precedent for themselves, only they can aspire to change. Listen to their single here:
Intaglio-II
Intaglio is a project concept that has lived in the limelight for 15 years or so since their debut. Have they been stagnant? No, musicians generally always create. Have they turned to a different genre? No, they have stuck true to what they thought was transcendental. Are they any good? II is the answer to that subjective question, so let’s see what they’ve put together for us. The strings of death-what do they say? Midnight Sonata -I. The Night Sky is the opening art piece. I call it an art piece and not a number because of the execution. Intaglio might be a funeral doom-death metal project, but the sense of doom, stellar loneliness and despair comes from the clever execution of strings and double bass. That is what sets them apart here as well. The song uses the depth of the cellos and distorted guitar to flush out a sound that wraps around your psyche. There are no quick pace changes, just chanting vocals entering-foreshadowing what is to come. The choir sounding vocals only enter later, making it a rich tune to begin the album with. Keeping the flow going, Midnight Sonata -II. Melting Like Ice… uses the momentum and employs some more cultural textures. You clearly here Indian instruments or Mandala drums executing them. The cello holds the storyline, the simple instrumental sharing what is a timbre infused musical bit. About a minute in, you hear the guitars entering, aiding the simple melody as the drums follow suit. The vocals whisper, as the instrumentals dominate the profound clarity of the composition. As the marching bridge comes in before the breakdown, we hear the song mellow out to its eventual completion. A concept album always keeps the song flowing. Midnight Sonata – III. Always Return follows in the same stream, as the growling vocals become denser and more ominous. As the single stroke riffs dominate the sonic atmosphere, single note melodies serve as an interlude in this progressive 3-piece song. By 1: 50, we build to the rhythmic part of the song which follows a beat, with a melancholy string instrumental, with bass doubling down the emotion. We hear clean vocals again, building and closing this introduction bit. Executed with curated perfection and a strange yet interesting concept to listen to. Breaking into a new idea Subject to Time was released as a single earlier this year, and is another melodic tapestry woven with elements of doom, death, and Intaglio’s signature string section. The drums tread lightly, yet have a clear footprint in this song. After a narrative bit, the growling commences, along with the rhythm section. Depending on single strums to ring out for the heaviness, the rhythm section intensifies, as the strings keep time with their gentle wailing. The 8-minute epic has a lot of elements, breaking between the deep sound of doom and the strings. Great track to listen to, profound to understand. The Memory of Death opens with the guitar and a thunderous drum section, spaced out well into a juxtaposition of louder and softer riffs. One would argue that this sound is indiscernible, but this isn’t true as Intaglio pull it off. Shrewdly placing the breaks and heavier sounds in parts, they impart both the sounds that define them with purity that compromises on neither quality or delivery. It is an intense listen, with the song organically developing with the melancholy strings. Funeral doom with contrasting elements The next song aims to continue the melody of the previous track with some interesting chordal developments. Depths of Space is the personification of getting lost, with narration and minor scale progressions making it a sound that lingers and warps the idea of time with its strings and clean guitar sections. The middle break is a very clever addition, with the aspect of being lost in a mind not lost in ambiguity of the instrumental itself. Everything in its Place continues in one fluid motion from Depths of Space. The song really goes through metamorphosis at midway, with its new sound being a callback to the opening but towards a new end as well. The strings coming in with its dynamism makes it clearly contrast the heavier part before the lyrics are put across. They close the song with the soft instrumental, the style with which they began. A full circle, like life. II is a complex masterpiece for a project that seems to have been on hold for so long. In a stage of supposed incubation, they really seemed to have thrived, as a one-man project or the makings of different group dynamics. This album is a concept that has been tried, yet never been executed with such contrasting styles coming together. So, to answer the introduction banter question, is it any good? Very. A benchmark for the whole idea to live up to, so we can’t wait for more.
Martin Smith-Dancing In the Fire
Instead of listening to those relentless club anthems that all sound the same, shift to something that cuts out all the noise. I’m talking about Martin Smith’s new single, Dancing In the Fire. With the zeal to make you dance and the fury to make you rock, this is an amalgam you won’t regret experiencing. Opening with a Mark Ronson style funk dance sequence, Martin Smith changes gears with live instruments pulsating right from the first few moments. The synths are a supporting act for the guitars, adding great mass and volume to Smith’s lyrics and somber vocals. That is, till he gets to the chorus. A pumping jive, it is almost impossible to not have this whoop stuck in your head. The industrial heaviness of rock is heard, from NIN to the dance anthem styles of old Panic!, Martin Smith vows to change the atmosphere of the Church, and he is undoubtedly doing so. Testing your faith might not be that easy. Because of the nature of this addictive melody that Martin Smith has written, its important to know his musical journey, the tracks that he originated from. To no surprise, Exalt from 2020 is a phenomenal album with echoing synth soundscapes and motivational lyrics. Changing like the tides but keeping the solid message the same, Smith continues to impress with his latest venture. So when you want that indelible entrance into that party hall, you know what action star track will be playing behind you!