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Bloomfield Machine - Algorithm and Blues

Bloomfield Machine's Algorithm and Blues is an album that arrives as a compact but ambitious meditation. The album runs on this need to explain, with its heavy instrumentation, what it means to remain human in a world increasingly governed by systems we barely notice. The ninth album from Los Angeles multi-instrumentalist Brian Kassan, the record runs across fifteen tracks in roughly thirty minutes. This makes it a deliberately concentrated listening experience. The title immediately gives away the album's central contradiction. Algorithm suggests calculation, automation, prediction, and the invisible systems shaping contemporary life; blues, meanwhile, belongs to a deeply human vocabulary of longing, uncertainty, frustration, and melancholy. Kassan places these two ideas beside one another throughout the record. The album asks what happens when technological progress produces emotional consequences that technology itself cannot necessarily resolve. With the production, Algorithm and Blues works in an intriguing space between electronic experimentation, ambient music, glitch, industrial textures, synth-driven composition, and rock. Bloomfield Machine has always resisted straightforward genre boundaries, and this album continues that tendency. The electronic elements never feel like decoration. They become part of the album's conceptual language: pulses, textures, repetitions, distortions, and synthetic sounds evoke a world in which human experience increasingly takes place alongside machines. Yet the record is not cold. That is perhaps its most interesting quality. Beneath the technological vocabulary is a persistent emotional current. Kassan's work is concerned with memory, impermanence, anxiety, and the strange ways people attempt to make meaning within systems that are constantly changing. A recent account of the album describes this tension particularly well, noting its movement between machine-like environments, human dread, and something approaching acceptance rather than despair.  The album's brevity strengthens this effect. Fifteen tracks in approximately half an hour means that ideas arrive quickly and disappear before they become over-explained. Most pieces occupy only two or three minutes, creating the impression of fragments, thoughts, signals, or brief encounters. Rather than presenting a single grand argument, Kassan allows the album to accumulate impressions. The listener is left to connect them. Algorithm and Blues therefore looks at technological systems from the perspective of an artist who actively uses technology as part of his creative vocabulary. The album does not simply reject the machine; it investigates the complicated relationship between human creativity and technological mediation. Algorithm and Blues is an observation of the present. Its machines are already here, its anxieties are already familiar, and its central question is how humans will continue to experience memory, desire, uncertainty, and connection while living inside that change. The result is an intellectually curious and adventurous album that manages to make electronic experimentation feel surprisingly intimate.  The album is a good fit for a movie like Her (2013).

  • 36 min
  • 8
  • English (US)