Carter Ray- Dear Victoria
Carter Ray, an all round super star- singer, song writer, actor and film maker, just released his new single Dear Victoria and we are all ready for this beauty. Carter's Instagram Bio is "Your Local Trans Boy", clearly he isn't one to shy away from his transition, documenting it himself. Dear Victoria is a love letter to Victoria, his younger self, who held so much of Carter already. While the song is soulful and powerful, it also feels like a soft hug. Especially when he says “Wish I could go back and say, I’m proud, show you the person that I got to be.” The poignant ballad is a deeply personal one. This makes it an intimate experience for his listeners. "I had to loose you to find my own" telling us that while she had to go for him to bloom, they were never two separate beings. They were always one and the same. The background score is a soft thumping EDM score that's sure to have you bobbing your head to the beat. It's crisp, laying as the perfect background for Carter’s voice. A character that was well written in Good Girls is Ben. This coming out scene will have you in tears, especially when his mother says “I always wanted a boy.”. Everything about it is perfect. It’s only fair that Dear Victoria, nestles its way into this very scene. Carter Ray invited us and allowed us to stand witness to this song and more during the course of his life. His delivery is raw and the production quality is spotless helping us experience the song thoroughly. Carter has just given us our new and welcomed ear-worm that's got us hitting the repeat button. You can check out his work too, in the links attached below.
Snakesnakewhale. - You'll Get That On These Big Jobs
The latest track by Snakesnakewhale. - "You'll Get That on These Big Jobs," is an electrifying punk rock anthem. The song explodes with raw energy from start to finish. This high-octane composition thrashes its way into your ears with raging guitar riffs, tight drum rolls, and a bass groove that pounds through your soul. It's an auditory onslaught that captures the essence of the punk rock spirit. Thanks to loc.level.sound. this track features an impeccable mix. One that engulfs the listener in a whirlwind of sound. The stereo field is masterfully utilized, creating an immersive experience as the guitars pan from left to right. The balanced frequency spectrum ensures that every element, from the thunderous drums to the walls of distortion, occupies its rightful place in the sonic landscape. "You'll Get That on These Big Jobs" could easily find its place on the soundtrack of movies like "Scott Pilgrim vs. The World" perfectly complementing the rebellious and energetic theme. "You'll Get That on These Big Jobs" is Snakesnakewhale.'s sonic riot Furthermore, in the world of comedy and animation, Snakesnakewhale.'s explosive sound would be an ideal fit for shows like "The Office" and "Dilbert." Its chaotic soundscape adds a refreshing twist to the mundane office environment, making it a perfect sonic backdrop. Snakesnakewhale. writes songs about friendship, nostalgia, and the trappings of mortality. So don't skip checking out the rest of his discography! As for the artist's future, Snakesnakewhale. is poised for a meteoric rise in the global indie music industry. With their exceptional talent and ability to create electrifying tracks like Boy Without a Fairy and You've Met With A Terrible Fate, Haven't You? they are destined to carve a niche for themselves and leave an indelible mark. Keep an eye on this dynamic act, as they are set to take the contemporary music scene by storm with their explosive punk rock sound.
The Margaret Hooligans - Our Museum of Failure
The Margaret Hooligans, the dynamic duo are back with their latest single, "Our Museum of Failure." This electric ukulele-wielding songstress, Meg Cratty, and her teapot-tapping partner-in-crime, Mr. Strontium, have once again delivered a sonic delight that pays homage to their influences while carving out a unique niche of their own. "Our Museum of Failure" is a classic punk rock gem that channels the spirit of The White Stripes and The Who. From the moment the song begins, you're transported to a bygone era of rock 'n' roll, with crunchy guitar tones and vivid soundscapes that harken back to the golden age of rock. Furthermore, the track's mix possesses the warm, vintage charm of a tape recorder, complete with the distinct crackle of warm tube amps, immersing listeners in a nostalgic sonic journey. Unveiling 'Our Museum of Failure' - A Nod to Classic Rock Mastery" The song's upbeat and catchy melody is deceptively straightforward, concealing a depth of introspection within its lyrical narrative. It's the kind of track that would perfectly soundtrack the adventures of a lovable misfit duo in two iconic '70s adventure comedy movies: "The Blues Brothers" and "Smokey and the Bandit." In the ever-evolving indie music scene, The Margaret Hooligans stand out as a testament to the power of two talented individuals making music not because they have to, but because they genuinely love to. Their latest single is a testament to their commitment to crafting carefully structured music that never loses its spontaneity. As this duo continues to forge their own path in the world of music, one thing is clear: In conclusion, The Margaret Hooligans are a force to be reckoned with, and their latest release is a song that would seamlessly fit into any classic rock playlist. The Margaret Hooligans are Meg Cratty (electric ukulele, lead vocals) and Mr. Strontium (drums, teapot, back up vocals). In addition to experimental percussive music, the band incorporates garage rock, funk, and soul to create a swirl of sloppy transcendence.
Brian Lambert - Wild
Brian Lambert, the Friendly Neighborhood Rock and Roller, has unleashed his latest musical masterpiece, 'Wild,' and it's nothing short of a sonic adventure. This 9-song album kicks off with a hard-hitting title track that draws inspiration from grunge music while infusing it with an alt-rock twist. 'Wild' takes listeners on a journey that often ventures into classic prog territory, clocking in at over 32 minutes of pure musical innovation. This album is a captivating addition to Lambert's already impressive discography. The title track, 'Wild,' sets the tone with its gritty and unapologetic sound. Lambert's vocals, as always, are a force to be reckoned with, carrying the weight of the lyrics effortlessly. The fusion of grunge and alt-rock elements creates a unique sonic landscape that keeps you hooked from the first note to the last. One of the standout tracks on the album is 'Don't Tease the Zombies,' a groovy masterpiece that experiments with electronic soundscapes reminiscent of the works of new wave reggae artists like The Gorillaz. Lambert's ability to seamlessly blend genres is on full display here, creating a track that's both infectious and thought-provoking. A Collection of Exceptional Tributes The cover of 'Clint Eastwood,' originally by Murdock, Noodles, and co., is a delightful surprise on the album. Lambert and his band breathe new life into this iconic song, infusing it with their unique energy and style. It's a testament to Lambert's artistry that he can make a classic track feel fresh and exciting. 'Breed,' a Nirvana cover, receives a modern post-grunge twist on this album. What sets this rendition apart is the captivating harmonic bed that underpins the track. The mix of 'Breed' is nothing short of exceptional, with a well-defined stereo field that immerses the listener in a three-dimensional sonic experience. The balanced frequency spectrum ensures that every instrument shines without overpowering the others, creating a perfect sonic harmony. Album Review: Brian Lambert's 'Wild' - A Sonic Adventure Through Time and Space Listening to 'Wild' feels like being transported to the soundtrack of two sci-fi comedies from the 80s - "Back to the Future" and "Bill & Ted's Excellent Adventure." The album's ability to capture the spirit of these iconic films adds another layer of nostalgia and excitement to the listening experience. In the realm of contemporary TV series of the mystery genre, the darker side of 'Wild' would find a perfect fit in the likes of "The Sinner." The album's ability to evoke a sense of mystery and intrigue aligns seamlessly with the show's narrative. 'Wild' by Brian Lambert is not just an album; it's a journey through time and space, a sonic exploration that bridges the past and the present. Lambert's commitment to pushing musical boundaries and his unwavering dedication to his craft shine through in every note. In the ever-evolving indie music scene, Lambert remains a true rock and roll hero for the modern age. The latest release by the songwriter is a testament to his musical prowess. A reminder that he continues to be a force to be reckoned with in the music world. In conclusion, as we groove to the tunes of 'Wild,' we can only anticipate the next chapter in Brian Lambert's musical journey, eagerly awaiting the magic he'll conjure next.
Jason Heeter - Come This Way
The latest track by Jason Heeter, "Come This Way," seamlessly weaves together the raw power of blues rock and the infectious groove of funk, creating a musical journey that captivates from start to finish. The song opens with a vivid dynamic range, immediately grabbing the listener's attention with its crisp instrumentation. The tight snare and kick drum provide a solid foundation, driving the rhythm forward and adding a layer of intensity to the track. One standout element is the groovy bassline, which effortlessly dances alongside a smooth bass amp tone. The careful craftsmanship of the stereo field allows each instrument to shine individually while contributing to the overall sonic tapestry. Heeter's vocals, marked by their strength and bravado, soar above the instrumentation, delivering the narrative with an authentic and compelling energy. "Come This Way" by Jason Heeter and the ACs exudes a cinematic quality, making it a fitting soundtrack for dark comedies. The song could find its place in the quirky, offbeat world of films like "Pulp Fiction" and "Trainspotting," where the juxtaposition of the music against the visuals creates a memorable and immersive experience. With the follow-up single to 2023 EP Staring at the Sun, the anticipation builds for more soulful creations from Jason Heeter Within the indie music scene, Heeter's ability to seamlessly blend genres and create a unique sonic fingerprint sets him apart. His eclectic influences, ranging from JJ Cale to Jason Isbell, contribute to the diverse and dynamic nature of his music. Jason Heeter and the AC's musical journey, rooted in the band's Midwestern upbringing and nurtured through years of experience, shines through in "Come This Way." The track not only showcases Jason's prowess as a musician but also solidifies his status as a versatile artist who continues to push boundaries within the indie music scene.
Gary Dranow - I'm a Man
The latest single by Gary Dranow and the Manic Emotions, "I'm a Man," effortlessly blends blues and rock, capturing the essence of his genre-defying approach. The track opens with overdriven guitars that saturate the soundscape, creating an immersive sonic experience. The carefully crafted stereo field allows each instrument to shine, with a solid bass foundation, rhythmic drums, and textured keyboards. "I'm a Man" exudes a gritty and soulful vibe, reminiscent of classic blues rock. While the vivid dynamic range of the guitar work adds a contemporary edge. The mix strikes a perfect balance, allowing the vocals to cut through the instrumental richness and deliver the raw emotion synonymous with the powerful blues riffs. The latest studio effort by Gary Dranow finds a natural fit in the dark comedy genre, aligning with TV shows like "Fargo" and "Barry," where intense narratives and humor parallel the song's ironic and playful approach to the lyrical narrative. The song's gritty yet ecstatic undertones make it an ideal soundtrack for scenes demanding a dynamic musical backdrop. In the indie music scene, Gary Dranow stands out as an innovator, blending genres and defying conventions. His ability to create music that resonates personally is evident, with his own journey of coping with health issues adding depth to his compositions. Dranow's new line up for his album Never Give Up is Chris Zoupa on Guitar, Bass Guitar and vocals, Jason Jones on Drums and producing, and Caspar Aesthetic on lead vocals. In conclusion, "I'm a Man" is a testament to the artist's musical prowess, and his ability to create sonic tales of real experiences. His genre-defying approach and commitment to crafting emotionally charged music make Gary Dranow and the Manic Emotions a notable presence in the global scene.
Dorian - Reconnected—Full Version
Dorian is a one-of-a-kind dynamite in general with his work and his latest single, Reconnected—Full Version, is a firework of a song. The artist is unabashed when it comes to artistic expression. He has his own style of writing that can certainly not be bound to any single genre. This genre-fluid singer is bound to set your senses on fire with Reconnected. It is meticulously designed in the sound department. Not to mention that the expert quality in production is mirrored in the video as well. When we hit the play button, we are greeted by Dorian’s silky smooth, dense, sweet, and lush as-honey vocals. Already, he has us wrapped within the first 5 seconds, and before we know it, we are propelled into his world. The track a perfect amalgamation of textures that scratches an itch in your sonic senses that you never knew existed. He brings to life many colors of the world with his evocative voice. The synth and whimsical sound format is an element that stands out in this number. A series that has some of the most out-of-the-box and strong writing is The Boys. If there is a song for Frenchie in the series, it is most definitely Reconnected. Not many are gifted vocally and poetically, and yet we have Dorian, who has both of these wonderful qualities. I hope you do yourself a favor and click on the links attached above because I assure you Dorian will get big, and when he does, you can brag about how you were an OG.
Sporty-O - Angelic Psychedelic Relic
The latest track by Sporty-O, Angelic Psychedelic Relic, is a mesmerizing blend of hip-hop swagger and EDM euphoria that firmly establishes its presence in the indie music scene. The song, written along with Lorme & Pedrumz opens with a trippy synth arpeggiator, setting the tone for a surreal auditory experience. A powerful fusion of new wave hip-hop vocals layered over EDM beats gives the track its distinct identity, while keeping listeners engaged throughout. The production's craftsmanship shines as VSTi synth drones weave in and out of certain phrases, subtly altering the atmosphere and adding depth. The stereo field is carefully crafted, with layers panning from left to right, creating a fully immersive experience that envelops the listener in sound. What stands out is the impeccable lyricism—sharp, poetic, and introspective. The verses carry a rhythmic flow that matches the beat perfectly, adding a unique, introspective voice to the hypnotic backdrop of electronic pulses. The track’s transcendental vibe would be a perfect fit for scenes of hallucination or altered states in dark comedies like Fear and Loathing in Las Vegas. The fusion of hip-hop’s lyrical grit with EDM’s euphoric highs gives the song a dynamic energy that enhances its cinematic potential. With over a decade of experience, Sporty-O continues to break boundaries, blending genres seamlessly. His ability to draw inspiration from multiple sources while maintaining his signature sound solidifies his place as a staple in the global EDM and hip-hop crossover. A track like Angelic Psychedelic Relic is sure to find its way onto indie dance playlists and live shows, entertaining his ever-growing fan base worldwide.
Jackson Fig - Call Me When You Need Help with the Bodies
The latest single by Jackson Fig, Call Me When You Need Help with the Bodies, is a compelling, genre-blurring statement from a band unafraid to get weird, loud, and vulnerable all at once. Drawing from the raw emotional textures of post-grunge and the swirling atmospheres of shoegaze, the Charlotte-based trio layers in unexpected indie dancehall rhythms to create something hauntingly cinematic and strangely danceable. The track opens with rich distorted guitar tones that carve out a sense of unease, immediately pulling the listener into its moody narrative. Just as you think you’ve found your footing, spacey rhythm changes shift the tempo and vibe, keeping things immersive and slightly off-kilter. Vocally, Jackson Fig excels with soaring layered harmonies that don’t just sit atop the mix—they drift, dive, and occasionally clash with each other, evoking both tension and release. The production deserves serious praise. A carefully crafted stereo field allows each element—from the dreamy VSTi synth pads to the sharp, tight drum patterns—to breathe without feeling disjointed. There’s a vivid dynamic range at play, with the song often dipping into near silence before erupting into cathartic, fuzzy choruses. The contrast plays like a visual cut between neon-drenched alleyways and wide, overexposed daylight—fitting for a track that could seamlessly soundtrack a scene in Donnie Darko or Thumbsucker. In the ever-evolving indie music scene, Jackson Fig stands out by blending deep emotional lyricism with production that’s both polished and daring. The band, hailing from Charlotte, NC, claims that none of them are actually named Jackson. Over time, they’ve refined their sound into something uniquely their own—darkly poetic, sonically expansive, and unafraid to stare directly into the surreal. Call Me When You Need Help with the Bodies is not just a song—it’s an experience, and one well worth surrendering to that fits into.
Friday Project - Something, Anything
The latest single by Friday Project, “Something, Anything,” feels like a breath pulled from the lung-full nostalgia of ’90s alt-rock and reshaped through the restless urgency of teenagers who actually have something to say. The track opens with a bang and it doesn’t stay polite for long. Jack Galloway’s riffs swell into a gritty, melodic push that pairs seamlessly with his expressive vocal delivery, while Noah King’s bass anchors the song with a warm, muscular presence. Aidan Girardo’s drumming hits with both control and spontaneity, giving the track an energy that feels alive, unfiltered, and true to the indie music scene the band is quickly becoming part of. The production elevates everything without sanding off the edges that make Friday Project special. The mix uses a vivid dynamic range, allowing the verses to breathe before the chorus bursts open with emotional weight. The guitars spread across a carefully crafted stereo field, creating a sense of space in the distorted spectrum that enhances the track’s mood of yearning and unrest. The result is a song that feels intimate and cinematic at the same time. Something that would slip seamlessly into a dark comedy film. It could sit comfortably in the sharp, stylish world of “Heathers” or underscore a tense, off-kilter moment in “The Art of Self-Defense.” Its combination of melancholy and momentum lands with the exact kind of punch those stories thrive on. By the time the final notes fade, “Something, Anything” stands as a showcase of how far Friday Project has come -and how much further they can go. From three Oakville friends who started recording in Jack’s living room to a band crafting richly textured, emotionally resonant songs, their story is still young but already compelling.