Ari Joshua - Lights Out
The latest release from Ari Joshua, "Lights Out," is an 8-minute-long jazz extravaganza that will leave you spellbound. The track is a masterful display of musicianship, featuring sick modal changes and overlapping guitar and piano melodies that create a rich tapestry of sound. The guitar tone is particularly noteworthy - it is saturated and crisp, perfectly balancing the rest of the mix. The production on "Lights Out" is incredible, with the organs and pianos sounding absolutely delicious. In addition, the way the instruments blend together is a testament to the skill of the producer, who has managed to create a seamless and cohesive experimental jazz soundscape. IMF got in touch with the artist to discuss Lights Out Lights Out is a clear winner for a spot in a contemporary Experimental and Alt-Jazz playlist. How did you come up with such a unique sound? I wrote this one with drummer John Kimock and pianist Eden Ladin in mind. John is one of my favorite drummers on the scene and after listening to him the melody and chords just came to me. After being well-known in the South African indie music scene for a while now, where do you see Ari Joshua as an act headed next? I’m not aware I was well known on the South African indie scene but that’s great news to me. As an act? Where am I headed? I just want to impact more people in a positive way, and resonate with people. A twisted complex emotional journey courtesy of Ari Joshua As the track progresses, it leads the listener through a range of emotions. The opening piano melody is introspective with a hint of melancholy. As the Guitars come in, the mood becomes more upbeat and lively, with a sense of frenetic energy building in the background. Again, at around the three-and-a-half-minute mark, the track takes a turn towards the experimental, with dissonant chords and unpredictable rhythms creating a sense of tension. The compositional brilliance demands a shoutout to fellow contributing artists John Morgan Kimock, Andy Hess & Eden Ladin. The song jumps through a vivid mix of emotions. What was your inspiration for such turbulent songwriting? I’m not sure. I’m not sure it jumps through a mix of emotions. But I’m glad to hear you feel that way. How was it working with John, Andy, and Eden? From your experience tell us a little about the benefits of collaborative efforts with these musicians. Andy Hess is a real sweet guy, really genuine, his playing is A++. I’d travel to play with him any time. John is really special. He serves the song. He doesn’t overplay or ever seem to be showing off, he’s there with you, really present. Eden is a like a thick menu of tasty musical ideas that you may never get tired of. He just plays the most amazing ideas and rhythms. It’s a joy to have great players with the combination of not needing to prove anything just working on collaborating and making art. What's next? After the positive reception of your initial releases like SoulMine and The $1000 Question, can your fans expect a full-length studio effort anytime soon? Well yes. But due to the high cost of producing and full length and the way the industry is, it’s just been my focus to produce a song at a time. The songs will all fall into albums later. There is a plan. Do you have any artistic insight or tips for upcoming songwriters who are willing to venture into progressive modern jazz? Listen to the masters. Find a few recordings to FALL IN LOVE WITH. Study them like the people study the Bible. Plan on dedicating 10,000 hours one way or another, and go see lots of live music. Also, support the artists you live that are alive.They deserve to be rewarded and appreciated! This experimental jazz number would be perfect for a variety of TV shows and fantasy noir movies. Its off-beat and avant-garde sound would work well in shows like "The Fresh Prince of Bel-Air" or "Seinfeld," where the music shifts in mood frequently. Also, in terms of movies, "Lights Out" would be a great fit for films like "Being John Malkovich," which feature unconventional narratives and surreal visuals. In conclusion, "Lights Out" is a tour de force of experimental-instrumental alt-jazz, showcasing the incredible musicianship and compositional skills of Ari Joshua. Furthermore, the South African rockstar consolidates his place in the global indie-rock scene with the addition of his latest release to his diverse discography which features tracks like Spooky, SoulMine, and The $1000 Question.
Ari Joshua - MEETING OF THE MINDS P4
Ari Joshua, founder of Madison Park’s Music Factory, has released his latest album, Meeting of the Minds Part 4, which sees him collaborate with keyboardist John Medeski, drummer Billy Martin, and bassist Jason Fraticelli. The artist's new studio effort is a sprawling, meditative improvisation that prioritizes in-the-moment interaction and features no one player taking precedence over the others. The album is characterized by its versatility, with the performances transitioning from near-ambient textural passages to laid-back experimental jazz grooves and tangent melodies reminiscent of Cuban music. Apart from immaculate sonic detailing, the record features a recurring organ motif from Medeski, initially tentative and atmospheric, which builds to a thick, churchy roar towards the climax. Furthermore, the other players also employ a wide dynamic range, with Medeski skittering across the piano keys and Martin’s drumming propulsive and inventive. The seven-minutes-long improv instrumental track explores minor tonality, modal harmonic interchanges, complex rhythm shifts and everything in between. Meeting of the Minds Part 4 seem to open new windows with every subsequent listen, making it a worthy addition to modern progressive jazz playlists. In conversation with with the composer IMF got in touch with Ari Joshua to discuss his vision behind the incredible Jazz Rock record. While also diving deeper into his personal favourites and future plans. Meeting of the Minds appears to be drawing influences from experimental jazz and progressive soundscapes. What was your artistic vision for this album? Well, there was a lot of music that happened on the session. Meeting of the Minds, the title, that came from Burgandy’s art. The all-improv release was just an introduction to what’s coming. It was a special session though. The album clocks over at 1 Hour 20 minutes, what were the challenges you faced while writing such a long record? Well, it’s all improv so I didn’t write any of it. Lol. But if anything I wish I could write 80 minute albums all the time. The challenge is always more the post-production. The mixing side. Speaking from a producer’s perspective, what were your sources of inspiration while incorporating acoustic instrumentals with ambient samples in complex time signatures? My inspiration is the masters that came before me and the source itself of all things. Pretty basic really. Haha. Out of the 28 tracks listed. Which ones are personal favourites? And Why? I don’t have any favourites. Every one is a favourite for a different reason. Which ones are your most used FX on the pedalboard? One’s you wouldn’t survive a gig without? I like to have an always-on boost and a delay of some kind turned to low in the mix. What can fans be expected to be excited about in the upcoming months In the next months, I will be selecting and preparing the next batch of songs to release. Ari Joshua presents a four-part Soul Jazz extravaganza The track's mix features a balanced stereo field and uses gritty overdriven preamps to create a warm, organic sound that highlights the emotion and energy of the performances. The producer employs multiple perspectives on the same raw materials, cutting snippets into four parts and excerpting them into two dozen fragments, to offer listeners a unique listening experience that they can enjoy in various ways. Meeting of The Minds Part 4 would be the perfect soundtrack for movies that explore the complexities of human interaction and the power of improvisation. The album’s meditative quality and emphasis on in-the-moment interaction make it a great fit for movies like "Lost in Translation" or "Whiplash", where characters are forced to confront their own vulnerabilities and the unpredictable nature of the human connection. Overall, Meeting of The Minds Part 4 is a stunning example of the power of improvisation in songwriting. Joshua and his collaborators have created an album that is both sonically and emotionally rich, inviting listeners to immerse themselves in the impulsive energy of the performance. This is a must-listen for fans of experimental jazz, soul and jam bands, and is a record that will solidify Ari Joshua as an upcoming global indie act.
ARI JOSHUA - LET'S DO IT RIGHT NOW
The new single by Ari Joshua, "Let's Do It Right Now," immerses listeners in an experimental jazz experience that skillfully combines classical and alternative jazz influences. The song's mix is meticulously crafted, enveloping the audience in a warm sonic landscape that evokes nostalgia with its distinct crackle reminiscent of tape recorders. The stereo field is expertly utilized, providing a spacious and immersive listening experience where the instruments find their own sonic space. Speaking about the inspiration behind the song and the emotions that the artist was hoping to convey through the song, Ari Joshua explained to IMF, "(The track) was a tribute to the late great Elvin Jones. I asked him if I could take a photo with him, and he was like, "Let's do it right now!" His eyes lit up, and he was so expressive and in the moment. He was a big force of nature, and it was amazing to meet such a figure in musical history. Perhaps the greatest of all times." Immerse Yourself in Ari Joshua's Sonic Tapestry: Let's Do It Right Now The production exhibits a tasteful use of subtle tube compressions, adding a touch of warmth and character to the instruments. The dynamic range is well-maintained, allowing the instruments to breathe and shine individually while contributing to the cohesive whole. The song's mix strikes a delicate balance between preserving the authenticity of each instrument's sound and blending them together harmoniously. The instrumental songwriting in "Let's Do It Right Now" is a testament to Ari Joshua's musical prowess. The keys, guitars, and horns intertwine seamlessly, creating a tapestry of melodies that captivate the listener's attention. The bass provides a solid foundation, anchoring the composition with its rich and groovy lines. The drum beats are tastefully groovy, propelling the song forward with infectious energy. In conversation with Ari Joshua How did the collaboration with Billy Martin, Jason Fraticelli, and John Medeski come about for the song "Let's Do It Right Now"? What was the creative process like working with them? The process was a complete gift. There was a lot of effortless music going on. I wish every day was like those days. If I had a groundhog's day, that may be it. "Let's Do It Right Now" has a catchy and energetic vibe. How did you go about capturing that energy in the recording studio? Were there any particular techniques or approaches you used to bring out the song's liveliness? Those guys are so magical, you know. They showed me my own magic, and we just shared the moments. They are really in the moment and masters of "keeping it fresh." It was like tuning in to a radio station and just letting it happen. There are no overdubs, just effects. I wanted to put my artistic stamp on the music, and I have all these ideas for that. John Medeski and Billy Martin are the best at just following the many gifts that keep coming in the moment! What were some of the key elements or musical influences that shaped the sound and style of "Let's Do It Right Now"? Were there any specific artists or genres that inspired you? I used a McCoy Tyner-style vamp figure on the guitar, a voicing I learned from Peter Kenegy in 10th grade and never forgot. The melody was a little bit inspired by John Coltrane. I can imagine young cats playing this song as a standard at a jam session. It has vibes reminiscent of Branford Marsalis, Kenny Kirkland, Jeff Watts, and Roy Hargrove. I used to see those guys hanging and playing late nights on the scene. Such a deep well of inspiration. A Journey Through Experimental Jazz In an offbeat and indie jazz music scene, Ari Joshua's unique sound would find a comfortable home. It is reminiscent of the unconventional and imaginative soundtracks of '80s sci-fi movies like "Videodrome" and "Repo Man." The song's experimental nature and fusion of genres would complement the quirky narratives of these films, creating an otherworldly atmosphere that captures one's imagination. For beginners who are interested in expanding their sonic palette and exploring experimental jazz music, what tips or advice would you give them? Are there any specific techniques, resources, or approaches that you found helpful in your own journey within this genre?Take lessons, find a teacher! We can teach all levels and ages at www.musicfactorynw.com, but there are mentors and teachers everywhere. Follow your passions and let yourself be guided by the light that current As far as being experimental, just accept where you are and accept that you have something beautiful to offer. Try to gather all the skills you feel you need to express the feelings you get from the masters, and then just be yourself, use your experiments to discover who you are and where you are in the moment. There is always room and time to get further up the mountain, but enjoy where you are at. Everything that is created begins in the mind, a wave cannot separate itself… bucket of water poured into a pool - affects every other particle of water within the pool, whether it knows it or not… find your place in the wave and you can attach to the whole ocean! What lies next for Ari Joshua? As a musician, your fans are always excited to know what you have in store next. Can you give us a glimpse into what they can expect from you in the near future? Are there any upcoming projects or collaborations that you're particularly excited about? Next up is more original music from all the recent sessions and a handful of compositions from the past going back as far as 20 years. I am also planning to travel east this month and make some more music. There is too much to mention here but go to my website www.arijoshua.com for more news. In conclusion, "Let's Do It Right Now" showcases Ari Joshua's talent as a musician and his ability to push boundaries within the jazz genre. It is a captivating and adventurous piece of music that rewards repeated listens, revealing new layers of complexity with each play. This single exemplifies Joshua's dedication to his craft and his commitment to creating innovative and engaging music.
Ari Joshua - Eyes of The World
While Ari Joshua was out exploring the musical realm, he created Eyes of the World with the help of John Morgan Kimock, Eden Ladin and Andy Hess. The dynamic musician has blown our minds yet again with this fresh release. The track is a cover of the Grateful Dead's Eyes of The World. While the original track is a masterpiece by itself, this cover is a refreshing take that so much more airier and different This gem starts off slow and eases you into the realm of psychedelic-jazz-rock. The artistry of all the musicians shines through in the track. They showcase their individual craftsmanship while also seamlessly blending their worlds in this track. The vocals play with you, it flows between the melody, teasing your senses. As you are swallowed into the immersive experience of the track you don’t realize that 8 minutes has flown past you, that’s how crisp the production is. Don’t get me started on the brilliant instrumentals! They were played to perfection, adding lush and vibrant details to hold onto long after the track stops playing. Little Miss Sunshine has a whole other fan following due to a plethora of reasons. The cult classic captures so many nuances of a family. Eyes of The World is the perfect song for the film. Both the track and the film keep you at your seat’s edge. Ari Joshua is making it look too easy, this making a masterpiece business. When you look into the details, there is so much work that has gone into creating this work of art. Eyes of The World demands and deserves to be heard by the world, so the world must do its thing and support brilliant musicians such as them. Follow the links attached below to do so!
THE ARI JOSHUA QUARTET - NUN KOMMT ES WERDER
The latest composition by Ari Joshua, "Nun Kommt es Werder" or "Now It Will Come," unveils a captivating dreamscape of melodies and textured ensembles that beckon listeners on an emotional downtempo journey. As the delicate jazz ballad commences, Joshua's guitar transports us to an exotic realm, skillfully weaving a tapestry of sound that defies clichés and conventional forms. In this intricate opus, Joshua collaborates seamlessly with his quartet, each member contributing to an evocative sonic canvas. Geoff Harper's adept mastery of the upright bass establishes a melodic foundation resonating with depth and sentiment. Joel Bean's elegant piano work adds sophistication and introspection, while Will Lone's impeccable drumming infuses rhythmic nuance and subtle dynamics, complementing Joshua's vulnerable explorations. Joshua's oeuvre, comprising over 100 original compositions, delves into a realm often overlooked amidst the deluge of modern content. His artistry, akin to an intimate conversation of rhythms and emotions, emanates from his soul-searching guitar. The minimalist brilliance he embodies subtly unravels with exquisite precision, capturing fleeting moments of deep expression beyond mere notes and scales. Guitarist Ari Joshua weaves a dreamlike tapestry of melodies and ensemble textures in an emotional down tempo composition Ari Joshua and his keen vision, combined with the expertise of Engineer Floyd Reitsma and Mixer Barry Sebastian, has birthed a masterpiece that resonates with a timeless allure. Furthermore, the skillful touch of Mastering Engineer Ed Brooks imparts a polished elegance to the composition. "Nun Kommt es Werder" finds its cinematic parallels in offbeat classics such as "Blow-Up" and "The Third Man." The song's emotional depth and nuanced layers would harmonize exquisitely with the introspective narratives and distinctive atmospheres of these films. The Ari Joshua Quartet's ensemble has crafted a work of art that transcends the ordinary, showcasing not just technical brilliance but an innate sensitivity that unites musicians and listeners in a shared moment of musical transcendence. In conclusion, as we immerse ourselves in the enchanting melodies of "Nun Kommt es Werder," we are reminded that amidst the vast sea of sounds, there are artists like Ari Joshua who illuminate the path to musical truth and beauty.
Ari Joshua - Dragons Layer
The latest musical offering by Ari Joshua, "Dragons Layer," delves deep into the confluence of progressive jazz and alternative rock, creating an entrancing soundscape that beautifully marries the two genres. This track, carefully crafted with an acute attention to detail, mesmerizes the listener with its intricate layers and impeccable bass lines that pulsate through the composition. The experimental tonality weaves seamlessly throughout the melody, enhancing the immersive experience of the track. A journey through experimental jazz soundscapes "Dragons Layer" is a testament to Ari's progressive songwriting skills, showcasing his ability to transcend conventional musical boundaries. The song navigates through complex rhythmic patterns, harmoniously balancing moments of intense musical fervor with subtle, introspective interludes, ensuring a captivating and dynamic listening experience. The meticulous engineering of the track results in a carefully balanced stereo field, where each instrumental layer finds its perfect place, creating a rich and immersive sonic environment. Ari Joshua's meticulous approach to sound production is evident in the way every element is given ample room to breathe within the mix, allowing the listener to fully appreciate the intricate nuances of the composition. In conversation with the artist - Ari Joshua IMF had the opportunity to catch up with the artist to discuss some intricate thoughts behind crafting the masterpiece that is his latest studio effort, Dragons Layer. Ari Joshua's name has become synonymous with experimental indie jazz. Share your thoughts about your vision for your latest number, Dragons Layer, with us. My vision for the “Dragons Layer” was to compose something special for two of the players John Medeski, and Billy Martin, two people I have loved and who have inspired me for decades. The session was initially just us as a trio, but as fate would have it, Jason was nearby playing with Cyro Baptista, one of our professors at The New School. It’s a colorful piece of music, and one with a moreless informal form. The Dragon is a symbol that has a lot of meanings. The title itself is purposefully ambiguous. For example it should be or could be ‘Dragon’s Lair’ or ‘Dragon Slayer’ but it’s like I want it open to the listener, and for me composing it I was thinking of the quantum realm, but there is for sure fire, and flight, and terror, and delight. Life has its twists and turns, and sometimes you encounter times you wish you could ride the dragon, tame it, or approach it for one reason or another. My vision was to kind of capture that, the melody and the harmony came to me. I am so thrilled with how it turned out. Jason Fraticelli the bass player, and John and Billy slayed this track, and all the sounds were all captured at Applehead Recording in Woodstock. What does your workflow look like inside the studio? Let us know what it is like working alongside John, Billy, and Jason. I try to show up with a batch of music to pick from. I rarely show up knowing exactly what will happen, but I prepare for the possibilities. On this session it just felt like I was playing with some old friends in a garage, that’s really my best case . There was a level of professionalism, like focus, and determination, but it didn’t feel like there was anyone bigger or better in the room. I really loved it so much, reflecting on it. I wanted to hear all the ideas everyone had as we were going along, and I felt like all my ideas landed really well. Billy and I were on a call about the possible direction of the session, and he was like, let’s just be present for each song at the moment. That’s what we did. I picked a song that spoke to me, and we just were there with that song, it didn’t take much to get things down on tape. After 2 takes everything felt about as good as it needed to, at any point we could have dug deeper into a song, but instead we chose to make room for free improvisation and other material.. The amazing thing is we were able to go through alot of material and it just felt laid back. John and Billy are masters of improvisation, and being in the now. There is something about the way they approach the art with so much courage, and determination to be uniquely who they are. It’s amazing to see cause so many great musicians are trying to fit inside the box, and these guys are sort of intentionally saying let’s get away from the box. In some ways it was like jumping out of a plane, but you got two guys that are experienced enough to catch you mid air if needed. Jason and I went to school together and would meet up and turn the lights off in the practice rooms and play free for hours, even though it’s been decades since then, it still feels like he’s the same open minded musical wizard he always has been. Overall it was a dream come true, a real learning experience, and I am left just wanting to do this as my day job all the time every week forever. I hope folks buy the music or use it for film or tv. That heavily saturated guitar tone sounds menacing. Almost like it pierces through the entire sonic spectrum. How did you manage to achieve it? Do walk us through your signal chain. The guitar tones on this session were mostly from using the in house gear at the studio. They have a lot of old pedals, and stuff. I brought a suitcase out of my favorite units as well. The distorted tones are from this bit commander pedal which gives the guitar a bit-crushed sound, maybe also from this ‘Death By Audio’ pedal I had. I used my Languedoc Custom Guitar for the basic tracks, maybe with a little chorus, and the dubs were all on this old Hagstrom Surf Guitar from the 1960’s. That thing just had all these switches which all had these really intense sounds on it. All said I may not be able to say the exact signal path, but I do have pictures of the set up. Chris Bittner the engineer, he is also brilliant, he recorded a number of Medeski, Martin, & Wood records including the Scofield stuff. I know we went through a few amps to get the sound, and for the Hagstrom overdubs, we mic’d the live room as well to get a vibe. The bit commander is probably what you are hearing though. The album artwork for the track is a masterpiece that aptly symbolizes the vision of Dragons Layer. What made you collaborate with Martin Ontiveros for the same? Martin is brilliant. Look at his works. He has his own style, and his works make you feel and think when you see them. His use of color is particularly tasty. I used him as well for two releases with Ray Paczkowski, and Russ Lawton, another organ and drum duo most known from Soule Monde, and their work with Trey Anastasio. The first album art we used was on the song called “The $1000 Question”, which had a multi eyed monster, and later on “Kambo Wambo” which is a song about frog medicine. I have a lot of respect and love for visual arts, and Martin’s style is just superb, and it fit’s my vibe. Top notch stuff always. How has the response post-meeting of the minds been so far? Looking back down memory lane, what advice would you like to give your younger self to help navigate the indie industry? Meeting Of The Minds was our first release. This is our third release. Later I plan to consolidate the projects into albums, but due to the way the industry is, the way we are doing it is serving the music and the times very well. Each release we seem to be finding more listeners, and it just feels really good in my heart and soul to be sharing this art, and expression. After MOTM, I put out my tribute to Elvin Jones called ’Let’s Do It Right Now’ and it landed a spot on Jazziz Magazine, a publication I have read since I was a teen. As far as advice, I would say, find and listen to the advice of your elders. I did that as much as I could. Also spend less time worrying about the industry, and the clicks that different scenes have, and encourage focus on finding your own voice, you are the gift of life itself, and you have all you need. Stay positive because there are definitely a lot of obstacles in this industry. I would tell myself to focus on why I am doing this work, and to breathe a little bit of faith and love into this all the time. Your job is to be creative, and alive, this path is really about giving and sharing, and society may not be set up to give back, but just have faith with everything and trust that there is a greater force at work. Dragons Layer clearly pushes the boundaries of jazz music. What is your approach to such progressive songwriting? Also, who would you say your biggest influences are while chasing your sound? To me being ‘progressive, pushing boundaries’ these are things that naturally occur by being authentic, and openly creative. By the nature of being human, all that has come before us has come already, and all that lies ahead is right here in our hands now. Part of being authentic and expressing yourself is the work that is part of evolution. Jazz is about mastering your instrument, and using your instrument to practice your mind, soul, and body, and not the opposite. I would never sit down and say ‘I am going to be progressive, or innovative’. But I do sit down and think what’s real right now, and what do I feel? I think many of the artists I love and celebrate, I can say they were progressive in their times, but even more I can say they were authentically expressing their emotions, and were relevant in this way to the time they lived in. As far as my influences, they really stopped mounting when I was about 22 years old, I had heard all I need to by that age. I still love all the music I loved from about ages 13-22. The legacy of the great jazz legends are a big part of my influences, as well as Hendrix, and Grunge music. I love a lot of classical music like Bach, and Debussy. This is something I could really talk about for 24 hours straight. So I will leave it there for now. The one thread if anything is the human emotional and spiritual density of my influences. What's next after Dragons Layer? Can we expect another full-length from camp Ari Joshua anytime soon? Let us know a bit about your immediate touring schedule and where your fans might be able to catch you live… This session will eventually be compiled into a full length album. I would need some sort of backing, maybe from a label, or a crowd source, or a collective effort to really make a full album.That would be a real dream. I go deep when I make my art and I also do a bit of a round robin thing, I have so much music to still get out of my brain, and my heart. I maintain about 2-3 shows a week schedule, but I don’t publicize them all,but if you want to keep up with touring visit www.arijoshua.com if I am traveling I am more likely to post stuff. If you want me and my art to hit a town near you contact us there, as long as there is a budget I can make a lot of options happen. I really want to spend more time traveling this next 5 years, and doing clinics, and masterclasses, and talks, and figuring out ways to make a lasting positive impact. What advice would you like to lend young indie minds who wish to venture into the intriguing world of progressive jazz in 2023? My advice to young artists is to learn to be able to compartmentalize what is within your control, and what is not. Let go of the stuff that is out of your control, try to save your energy for the stuff you can control. Make yourself a small achievable list of goals you can make happen. It’s great to focus on the peaks and the big milestones, but the valleys are really what will define you. In those valleys how are you taking care of yourself, and your community? It’s not just about you, your art, your being seen, it’s also about the reason why you’re doing this. Give yourself credit, this is some of the work the world needs the most. Choosing to pick a career that isn’t sort of part of the machine, it’s not working for a paycheck, it’s about making this world a better place, and following your heart. Seamless attention to detail in the latest offering by Ari Joshua With its enigmatic and mysterious aura, "Dragons Layer" by Ari Joshua would find a natural home in the shadowy realms of films like "Chinatown" and "L.A. Confidential," infusing their gripping narratives with its own sense of intrigue and mystique. This track's enigmatic fusion of progressive jazz and alternative rock makes it a prime candidate for garnering attention within the indie music scene, promising to captivate audiences with its intricate musical tapestry and evocative storytelling. Ari Joshua, Jason Fraticelli, John Medeski, and Billy Martin has delced deep inside the realms of experimental songwriting to offer their fans a brilliant piece of art, that shall be hence remembered in the world of sonic brilliance as "Dragons Layer."
Ari Joshua - Country Stroll
The latest offering by Ari Joshua, "Country Stroll," is a delightful musical escapade that seamlessly blends jazz influences with an infectious, upbeat charm. Collaborating with John Medeski and Billy Martin, the trio has created a piece that reflects a very minimalistic approach to songwriting. The track unfolds with well-defined harmonic and solo sections, showcasing the trio's masterful musical craftsmanship. The mix of "Country Stroll" is a testament to the artist's ability to create a carefully crafted stereo field. The instrumentation is rich yet restrained, allowing each instrument its own space within the mix. The song exudes a happy-go-lucky atmosphere, with playful interplay between the instruments, reminiscent of a carefree countryside adventure. One standout feature of the track by Ari Joshua is the impressive drum solo in the bridge section. The rhythmic exploration adds a dynamic layer to the composition, showcasing the virtuosity of the performers. The drum solo injects a burst of energy into the song, elevating it to new heights. Perfect jazzy companion for comic visual scapes courtesy of Ari Joshua "Country Stroll" would find a perfect home in the soundtracks of classic comedy movies such as "Ferris Bueller's Day Off" and "Groundhog Day." Its playful and upbeat nature aligns seamlessly with the lighthearted humor of these iconic films, making it a fitting soundtrack for any carefree moment. In the indie music scene, Ari Joshua and his willingness to experiment with diverse genres sets him apart. Beyond his musical endeavors, he is also the founder of The Music Factory, a testament to his commitment to music education and community development. Ari's background, shaped by a diverse upbringing in Cape Town and Seattle, continues to influence his dynamic and genre-blending musical expressions.
Ari Joshua - Elephant Walk
The latest offering by Ari Joshua, "Elephant Walk," is a mesmerizing instrumental piece that seamlessly blends blues and progressive jazz, showcasing the artist's versatility and musical prowess. The track unfolds with a delicate balance, introducing a myriad of elements that contribute to its daring arrangement. The subtle brushwork on the snare drums sets the tone, creating a rhythmic foundation that allows the listener to delve into the intricate layers of the composition. Guitar licks are strategically placed as accents, carrying the melody with finesse, while a carefully crafted stereo field enhances the overall sonic experience. The brass section adds a dynamic flair in selected sections, and infectious piano turnarounds elevate the track. Thus creating a perfect meshwork of instruments reminiscent of a 'jugalbandi' in Indian classical music. The intelligent use of the flat 7th of the scale adds a unique flavor, contributing to the track's bluesy undertones. The song is a cinematic journey, and it's easy to envision it as a soundtrack for detective comedies. Picture "Psyche!" or "The Naked Gun," where the music perfectly complements the quirky, mysterious atmosphere, highlighting the track's adaptability. Ari Joshua's efforts lie beyond music, in areas of community development In the indie music scene, "Elephant Walk" by Ari Joshua stands out as a testament to the artist's willingness to push boundaries and experiment with diverse genres. Beyond his musical endeavors, rooted in the rich music scenes of Cape Town, Seattle Ari's commitment to music education is evident through The Music Factory, a community-driven initiative providing thousands of lessons and showcasing his passion for fostering musical growth. Music education enables creative minds to flourish and helps cultural prosperity and leads to socio-economic growth. Fans and prospective students can sign up for lessons at www.musicfactorynw.com "Elephant Walk" not only captivates with its daring arrangement but also pays homage to Ari Joshua's eclectic influences, making it a must-listen for those seeking a fresh and exciting musical experience. The song has been written and performed in collaboration with John Medeski and Billy Martin. Help Ari's project out: buy merch and sheet music!
Ari Joshua-Rare Groove
It’s safe to say that Ari Joshua is the king of the groove. In the indie scene, there are few performers who are as prolific as him. The way he has a spider web of projects in which he just loves to play, we luckily just love to listen. He brings the style back on the velvet cushion like he always does. This one is called Rare Groove. Teaming with Grant Schroff, Skerik and Delvon Lamarr, this feels extra special. In the movie Gone in 60 Seconds, there is a scene when War’s Low Rider plays. As iconic as that is, Ari Joshua has a lot more sway on the funk here. Rare Groove is full of improvised grooves and layers, something you’ll hum along to while having your morning coffee. As you feel the build, you’ll watch yourself smile in the mirror. You know how the late 70s had that class of music that just felt like a good time? That is what Ari Joshua’s music sounds like. As you go ba-da-pa-pa-da, I think it’s interesting to look back at this indie musician’s fantastic portfolio of sound. It is like the dream soundtrack of every classy movie you have admired, all fully furnished by the man Ari Joshua himself. Rare Groove has found itself in the rare position of #1 on my playlists, that’s for sure. Check out Elephant Walk and SoulMine for some other hits by this talented instrumentalist. You can check out Meeting of the Minds and RAAR as well, if you want to truly broaden your melody horizons. Follow Ari Joshua for more like this and dance to Rare Groove by clicking the link above!
RAAR Trio - Star Light Mountain
"Star Light Mountain" by the RAAR Trio i.e Ari Joshua, Russ Lawton, and Ray Paczkowski is a captivating blend of Blues Rock with touches of Alternative and Classic Rock. The song opens with a rich, warm overdriven preamp tone that sets the stage for an exhilarating auditory journey. Ari Joshua's superb vocal range shines throughout the track, providing a powerful anchor that complements the instrumental brilliance. The piercing guitar solos are a standout feature, weaving intricate melodies that echo the song’s adventurous spirit. Each solo is executed with precision, adding layers of intensity and emotion. The rhythm section, featuring Russ Lawton's dynamic drumming and Ray Paczkowski's soulful keyboard playing, creates a solid foundation that propels the song forward. The carefully crafted stereo field enhances the listening experience, enveloping the listener in a lush, immersive soundscape. "Star Light Mountain" would be a perfect addition to the soundtrack of adventure movies like "The Way Back" or "The Secret Life of Walter Mitty," where intense action sequences demand a robust and evocative musical backdrop. The song's energy and vibe align seamlessly with the thrilling and explorative themes of these films. In the indie music scene, "Star Light Mountain" by RAAR Trio stands out as a testament to the band's versatility and creative prowess. The production quality is top-notch, with each element meticulously balanced to create a cohesive and compelling track. The fusion of genres showcases the band's ability to innovate while staying true to their musical roots. Upcoming Tour Dates The Suncatchers featuring Joe Doria & Ehssan Karimi May 22 - Seamonster Lounge - Seattle, Wa Interview May 23 - Helping Friendly Podcast with RJ Bee and Hosts - Osiris Ari Joshua Band May 31 - Nectars - Burlington, VT June 2 - TBA - New Tork, NY Kris Yunker, Ari Joshua, Ben Atkind Trio dates June 5th The Stone Church - Bratelboro, VT June 7th Art Walk - Brattleboro VT
Ari Joshua-One Dub
If Ari Joshua is exploring a song, it has all the right ingredients. The prolific musician from Seattle has had a rich background and tons of experience in music. When he’s not jamming and making music, he’s touring. He must have taken a breather for this catchy one, for this is called One Dub. The laid back groove is enough for me to grab my iced coffee. Ari Joshua and his electric crew bring a beat and melody that is as sophisticated as it is playful. There is a wave of sound that comes as the jam proceeds, and each cog plays its part. When I say play, I accent on the space that is left to experiment and make something memorable. The Rastafarian bassline and synth keys will keep your head bopping all through the song. This is a savant of melody, someone who can study space and carve some memorable symphonies out of it. The song is special, refreshing and extremely positive. All without any lyrics coming in the way and keep the flow. Though his hits are SoulMine and Rare Groove, there is a tangent in Ari Joshua and his compositions that will keep you entertained. This is the kind of feel you seek, and here you have it. This would fit perfectly in the movie Bad Boys for Life (2020). The scenes with the scenic shots would be especially perfect with this song. Check out the song above and follow him for more information on tours and new tracks! Ari Joshua on Tour Upcoming Tour Dates The Suncatchers featuring Joe Doria & Ehssan Karimi May 22 - Seamonster Lounge - Seattle, Wa, Interview May 23 - Helping Friendly Podcast with RJ Bee and Hosts - Osiris Ari Joshua Band May 31 - Nectars - Burlington, VT Kris Yunker, Ari Joshua, Ben Atkind Trio dates June 5th The Stone Church - Bratelboro, VT June 7th Art Walk - Brattleboro, VT June 9th - NYC Venue TBA Check www.arijoshua.com for more dates
Ari Joshua RAAR Trio - The TriCeraphClops
Ari Joshua’s RAAR Trio has delivered an electrifying track with their latest release, "The TriCeraphClops." This song boldly merges the improvisational spirit of jazz with the grit and edge of rock guitar licks, crafting a sonic experience that’s both exhilarating and unpredictable. From the moment the track begins, the listener is pulled into a groove that feels equally spontaneous and intentional. Russ Lawton's drums lock in effortlessly with Ray Paczkowski's basslines, creating a rhythmic foundation that swings between tight precision and organic flow. Ari Joshua's guitar, meanwhile, glides over this harmonic bed, delivering solos that feel like a seamless conversation between jazz’s complexity and rock’s raw energy. The mix on "The TriCeraphClops" is a masterpiece of audio engineering. The vivid dynamic range keeps each instrument distinct, yet the interplay between them feels natural. The carefully crafted stereo field ensures that the listener is surrounded by the sound, with every detail—whether a subtle cymbal tap or a roaring guitar riff—given its own space to breathe. The track's bold approach pushes the boundaries of both experimental and progressive jazz, making it a standout in the indie music scene. This song would fit perfectly into the soundtrack of indie comedies like Napoleon Dynamite or Diary of a Wimpy Kid. Its unique blend of quirkiness and depth would complement the offbeat charm of these films. Ari Joshua, a skilled guitarist with a deep background in jazz and experimental music, continues to evolve his sound with each release. Teaming up with Lawton and Paczkowski, RAAR trio has established themselves as an innovative force in modern jazz-rock fusion.