Alec Berlin - Beat Confabulator (All Night on the Floor)
Alec Berlin's latest release will take you a couple of plays to truly appreciate it. Beat Confabulator (All Night on the Floor) is a hybrid of progressive jazz and alternative rock. It is groovy, it is tight, and most importantly, it is meticulously written and produced. The guitar riffs boast of overdriven octave tones amidst a hairy bassline that compliments the drummer's groove. Beat Confabulator is progressive at its core. With one section seamlessly blending into the next, it is sure to keep you banging (your head) all night on the floor. The production quality of the music is noteworthy, with pristine highs and deep pulsating lows. The compressed tonal characteristics of the soundtrack work well with the dynamic range that the track presents its listeners with. Berlin's music is centred primarily around his guitar. His gritty guitar tone cuts through the mix like a hot knife on butter. The New york city artist has proved once again that when it comes to the six strings, he is sure to turn a few heads. In addition, the upbeat and in-your-face nature of the soundtrack would work well as a score for any dramatic chase sequence which incorporates a number of twists and turns in its narrative. Movies like Rush Hour and TV series like The Walking Dead come to mind.In conclusion, Beat Confabulator (All night on the floor), is a must-listen for fans of progressive music. Especially if you're a blues/jazz guitar player who likes it dirty. An excellent piece of articulate songwriting venturing into the realms of prog and psychedelia, Alec Berlin has proven why he is a true maestro.
Roxercat - 2020
The new song from Roxercat starts off with an emotive guitar line that seems like it is almost weeping, much like the state of the world that was during one of the most dreaded years of human civilization - 2020. What follows is straight-up rock and roll reminiscent of artists like SRV and LedZep. Each and every band member is an expert on their instrument, and boy it shows, and how! Be that singer/guitarist Price Jones' carefully crafted chordal progressions, guitarist Stan Lassiter's raging guitar solos or bassist Bill Francis's groovy lines. Each and every instrument finds its own space in the mix and individual sections to shine. '2020' is almost a progressive track. Moving from sorrow to rage, to acceptance (as the band states 'that's just life'), the mood of the track is constantly volatile. Roxercat has managed to create a gorgeous piece of art that is a testament to their exceptional songwriting skills. Roxercat is a progressive take on Rock n Roll The latest release from Roxercat is a unique new sound that has perhaps been lost in time. With a captivating narrative and a production that is worthy of the current generation, Roxercat takes a peek into the history of rock music and borrows influences from the greats. Owing to its diverse soundscape, '2020' could be a perfect fit for dramas like 'The Pursuit of Happyness' or even disaster documentaries like Chernobyl: The Lost Tapes. In conclusion, Roxercat - 2020 is a track that fans of indie music and rock and roll aficionados alike would both enjoy equally. The band is surely one of the best new acts to emerge from the Nashville underground music circuit. '2020' is the concluding track for Roxercat's debut EP 'Pearls' which was released in 2023.
KAYBLE - DREAM WORLD
The latest release by UK-based musician Kayble, "Dream World," showcases the artist's growth and development since his 2021 debut in the indie music scene. The track is a dark and atmospheric number that revolves around acoustic guitar chords, with the incorporation of diminished and seventh chords adding depth and complexity to the piece. The vocal harmonies are a standout feature, with carefully placed distorted guitars adding a sense of tension and excitement to the otherwise slow number. Kayble's music has been described as reminiscent of late 90s piano-based pop with a contemporary edge, and "Dream World" stays true to this sound while also showcasing the artist's willingness to experiment with electronic elements and diverse tonal characteristics. The result is a haunting and captivating track that showcases Kayble's artistry and songwriting skills. The mix of "Dream World" is flawless, with each instrument and vocal part given space to breathe and shine. The result is a cohesive and immersive listening experience that draws the listener into the world of the song. The previous releases by Kayble, including "The Silence You Asked For," "Wise Man," and "Thorns in A Glass House," have garnered attention in the indie music scene, and "Dream World" is a testament to the artist's growth and potential. The track's dark and atmospheric tone and carefully crafted narratives would make it a perfect fit for a psychological thriller like "Black Swan" or an indie drama like "The Place Beyond the Pines." The songwriter's willingness to venture into unknown territories and experiment with different soundscapes and genres makes Kayble a musician to watch in the coming years. Finally, "Dream World" is a testament to his skills as a songwriter and producer, and it will be exciting to see where his artistry takes him next.
Alec Berlin - Space Punk and Other Junk
Alec Berlin's latest album, Space Punk and Other Junk is a 54-minute-long masterpiece comprising 12 tracks that exhibit his exceptional music production skills. The album's mix is impressive, with each instrument sitting right in the stereo mix, and it serves as an addition to the Ohio-born artist's knack for fusing his jazz roots with modern progressive songwriting. Alec Berlin has been tearing up stages of all sizes in NYC for quite a while now - ranging from intimate downtown venues all the way to Radio City Music Hall. Space Punk and Other Junk is the next exciting addition to his roster. Diving deep into Space Punk and Other Junk "Space Punk" sets the tone for the Jazz Rock record with its guitar riffs that are so well thought out that you'll jump for that repeat button from the get-go. Following this, “Man’s Best Friend” opens with a captivating acoustic guitar rhythm, which is a departure from Berlin’s usual style. Beat Confabulator (All Night on the Floor) is a hybrid of progressive jazz and alternative rock. It is groovy, it is tight, and most importantly, it is meticulously written and produced. A soothing, relaxed vibe is felt instantly with a song like LaNoise. It propagates a scene that would be depicted as a lazy Sunday afternoon, having a simple conversation... "Minir Maad" is a song where Alec Berlin details a documentary as a traveller through the Arabian Peninsula. while "Patchen Avenue" is a bluesy track, Alec makes a tantalizing composition that has a light marching percussive quality that asks you to breathe with it. The album's final track, "ROYGBIV," is a piece that ventures into progressive jazz territories and hints at what Alec has in store for his fans next. Berlin's album boasts a well-crafted sonic landscape with its rich sound textures and production techniques. The drums' compression and the utilization of the stereo field are impressive, and the overdriven preamps add warmth and depth to the sound. The guitar solos in each track are well-executed, showcasing the musician's mastery of his instrument. A Hot Serving of Jazz Folk Rock from Cleveland Guitar Hero: Alec Berlin According to a previous press release, “After more than two decades as an in-demand sideman, Alec Berlin has made an album that combines his love of concise pop-rock songwriting with his expertise as a guitarist. Berlin describes Space Punk and Other Junk, his fourth release, as “instrumental singer-songwriter music. These songs speak the vernacular of concise pop-rock music, so you’d expect them to have words. But it’s instrumental music...” The album's genre-blending and diverse sonic palette make it a great fit for movie soundtracks. The high-energy tracks would be perfect for action or sports films, while the slower ballads would work well in more emotional or dramatic scenes. Two movies that come to mind are "Baby Driver," directed by Edgar Wright, and Marvel's "Guardians of the Galaxy," directed by James Gunn, both of which featured eclectic soundtracks that blended different genres and styles. In conclusion, with Space Punk and Other Junk, Alec Berlin has established himself as a talented musician and producer in the global indie music scene. He released his debut record, a collection of original jazz called Crossing Paths, in 2000, and followed up with a pair of vocal-based pop and rock records – Beauty, Grazing at the Trough in 2007, and Innocent Explanations in 2012. The album is a must-listen for fans of jazz-rock instrumental pieces, and its unique blend of genres is impressive. Berlin's background as a musician, including his work with Green Day and his three previous albums, adds depth to his creative portfolio, and his fans can not wait to see what he has in store after this exhilarating fourth LP!
Ruud Voesten - Clickbait Merchants
The new single by Ruud Voesten, 'Clickbait Merchants' is a breath of fresh air for the jazz world. Drawing inspiration from progressive music, the song incorporates elements that redefine traditional jazz music, making it an absolute delight to listen to. As the track progresses, the mix of the song feels reminiscent of vinyl records, providing a unique listening experience that transports the listener back to the days of classic jazz. In conversation with Ruud Voesten Your latest release Clickbait Merchants is dark, intense, and exhilarating. What was your vision behind this track? Clickbait Merchants is part of my upcoming record 'Ambrosia', which I composed to Dante Alighieri's poem Inferno. In this Italian literary work from the Medieval era, Dante describes how he descends through hell and encounters the capital sins, sinners and punishments. Clickbait Merchants in particular deals with the sin of fraud. Connecting this theme to our current times, reminded me of the strategy media use to grab our attention. By using headlines consisting of bold claims, inflammatory words or flat-out lies they try to capture our attention for clicks. The music reflects this by having a constant brewing tension and big but short melodic gestures.Funny side note: The title idea came from a short clip of Connor McGregor where he rants against journalists. An intro on 11/4. At the same time, counting 23 on every turnaround. That’s a rather complex time signature. What inspired you to come up with such a groove? I never really thought about it in that sense, as an 11/4 or 23/4 bar. My starting point for the song was this small bass line of three descending quarter notes, which I sometimes extended with two extra notes to keep it fresh and quirky. This became the intro, but when composing the melody I ended up with more material over the 3/4 part. So in a sense, I'm feeling the music in 3/4 all the time, until I don't for one bar, which could basically come at any given moment. Redefining progressive jazz songwriting One of the standout features of 'Clickbait Merchants' is the way the song shifts through various moods but always maintains a sombre tonality. This allows the listener to truly appreciate the beautifully written horn sections that complement the sonic palette. The horns add a layer of depth, adding an emotional intensity that perfectly fits the song. The song redefines jazz by often venturing into the realms of progressive music. Could you walk us through the process of composition? The composition process started by reflecting on what my associations were with 'fraud'. I searched for what it meant to me in this day and age. Inspired by the Conor McGregor quote I started to move into the direction of media harvesting our attention. I wanted the song to be boastful, loud and demanding attention, but never fully deliver on the initial promise.The bassline formed the starting point of the composition, combined with the general energy and feel. I wanted the melody to reflect the empty promise of the clickbait titles, so while putting the bassline on repeat I improvised melodic gestures with some medium intervals. I ended up picking the ones that suggested there was something bigger going on / about to happen, but in the end, didn't really deliver.For the B part, I put the focus on the horns rhythmically alternating and weaving together. At this point, I was experimenting with writing lower parts for the alto than the tenor saxophone and I really like the way this sounded. The solo seemed to need a shift in energy, so we ended up with this open feel followed by an extended B part to develop the composition a bit more. What is next for the drummer? Ruud Voesten's history as a drummer and composer is impressive, and it's clear that he brings his years of experience to this latest release. The artist is currently living in Rotterdam, The Netherlands, and has been making music for many years. Furthermore, his new single is part of a full album set to be released in 2023. Inloopmuziek has garnered your outfit a global niche audience and a place in reputed indie playlists. What may fans expect next? 'Ambrosia', the full record with music composed to Dante Alighieri's Inferno, will be out in September on the ZenneZ Records label. We'll be touring during the fall and I might start working on the second part of the Divine Comedy: Purgatory. Wietse Voermans and I are working on a new project called 'Genius Loci' which is about making the room/venue where we perform part of the improvisation and composition process. It's going to be a combination of free improvisation and composed music which we'll create while doing a week-long residency. In July we'll spend a full week at the venue Brebl in Nijmegen (NL). Brebl is one of the newer jazz venues in the Netherlands but has always been operating on borrowed time. The local authority offered them a location destined to be torn down for a couple of years. Unable to find a new place they got a little extension in another building, but they're looking for a new place. This sense of a fleeting home and the urgency of being out of time is something we hope to put into music. We'll experiment with using the reflections of the room as part of the music and by using the story as inspiration. An instrumental fit for mystery cinema 'Clickbait Merchants' is an instrumental piece that would fit well into the soundtracks of classic detective movies. The track's progressive sound and experimental outlook would make it an excellent fit for detective movies and whodunnits like The Pink Panther (2006) or Chinatown (1974). The song's unique blend of jazz and progressive music makes it an ideal choice for indie music lovers who are looking for something fresh and exciting. Overall, 'Clickbait Merchants' is a stunning piece of music that showcases the talent and creativity of Ruud Voesten. The artist's ability to seamlessly blend jazz and progressive music is truly remarkable, and the result is a song that is both unique and beautiful. Fans of indie music and jazz lovers alike will undoubtedly appreciate this masterpiece from Ruud Voesten.
MAL - Hero's Gold
MAL, the alternative rock band hailing from Van Nuys, California, continues to captivate listeners with their latest release, "Hero's Gold." With influences rooted in 80s progressive music and a noticeable Rush vibe, the track effortlessly combines energetic rhythms, intricate melodies, and thought-provoking lyrics. From the first notes of "Hero's Gold," it becomes apparent that MAL has a firm grasp on their retro metal-inspired sound. The band's attention to detail shines through in the exceptional mix, as each instrument finds its rightful place within the sonic landscape. "Hero's Gold" captivates with its energetic rhythms, intricate melodies, and thought-provoking lyrics. The mix impresses, displaying excellent frequency balance across instruments. The guitar's gritty yet melodic quality and the solid bass foundation create a dynamic interplay, while Reynolds' drumming steals the spotlight with swirling rolls and shimmering cymbals. The track's fusion of alternative and progressive elements makes it a perfect fit for shows like "Dark" or "Black Mirror," amplifying scenes filled with intrigue and otherworldly ambience. MAL fills a void in the indie music scene, offering progressive arrangements with a rock core, and delivering familiar yet innovative experiences. Formed in 2012, MAL features Kristopher Jung (vocals/guitar), Peter Hollywood (bass), and Brendan Reynolds (drums). With their diverse backgrounds in bands like DING MAO, Boy Hits Car, S.O.B., Radio Free America, and Blackcast, MAL brings a wealth of experience to their music. MAL's "Hero's Gold" showcases their growth and evolution. With their monthly single releases and ongoing tour, the band continues to establish themselves as a band to watch in the alternative music landscape.
Jacques Bailhé - SHIVA IN FLAGRANTE
The latest album by Jacques Bailhé, "SHIVA IN FLAGRANTE," is a captivating journey through experimental progressive jazz that draws influences from post-modern, Latin, and waltz music. Clocking in at 39 minutes with 10 strategically ordered songs, this album showcases Bailhé's remarkable ability to create shifting moods and a free-flowing musical experience. From the very first notes, it becomes apparent that "SHIVA IN FLAGRANTE" breaks the mould of traditional jazz albums. Bailhé's innovative mix employs various filters and hard panning techniques, adding an extra layer of experimentation to the music. The result is a rich sonic landscape that demands attention and rewards the listener with a plethora of sonic surprises. Furthermore, the album's strength lies in its strategic ordering of songs. Each track is meticulously placed to ensure maximum impact, with a deliberate progression of moods and emotions. As the album unfolds, listeners are taken on a sonic journey that explores the spectrum of human experience. From the dark and contemplative to the lively and peppy, Bailhé's careful curation of the transients in the tracklist enhances the overall impact of the album. Also, Bailhé's nu-jazz approach to songwriting is evident throughout the album. His compositions blend the progressive nature of the music with post-modern jazz sensibilities, resulting in a unique and refreshing sound. The tonal detailing is top notch. Additionally, Bailhé meticulously crafts the harmonic layers, creating a mesmerizing interplay of melodies and rhythms that engage the senses and demand repeated listening. Jacques Bailhé and instrumental ecstasy Notable tracks on the album include the experimental "Backside," which pushes the boundaries of nu-jazz with its unconventional structure and daring sonic explorations. "Gimme That" stands out with its funky and bold energy, featuring impressive horn arrangements and a standout bass solo at the 1-minute 15-second mark. "Shiva Steps Out" is a dark and adventurous number that showcases Bailhé's ability to create contrasting musical atmospheres, making it a standout moment on the album. "7th Sense," further demonstrates Bailhé's prowess in combining progressive rock elements with his jazz foundation. These tracks offer intricate instrumental performances and dynamic shifts that highlight the album's versatility and musical depth. Surprisingly enough, the title track ventures into experimental territory with the usage of off-beat instruments like the Tabla. Other must-listen numbers are, "The Facts of Creation," "Smoke," and "All Lanes Merge Here." An exploratory approach to music With his diverse background as a multi-instrumentalist and his exploratory approach to music, Jacques Bailhé brings a unique perspective to "SHIVA IN FLAGRANTE." The album's free-flowing nature is a direct result of Bailhé's free-tempo songwriting, allowing the music to breathe and evolve naturally. Furthermore, this approach lends an organic quality to the album, creating a captivating listening experience that keeps the audience engaged from start to finish. In conclusion, "SHIVA IN FLAGRANTE" is a remarkable achievement for Jacques Bailhé. His ability to blend experimental jazz with post-modern influences and the essence of the prog showcases his exceptional talent as a musician and composer. It is an album that would find a perfect fit in a noir movie like "Midnight in the Shadows" or as a captivating addition to the soundtrack of an '80s popular mystery detective TV show, such as "Murder on the Boulevard." Jacques Bailhé's artistic evolution continues to push the boundaries of nu-jazz. Just like the deity the name "SHIVA IN FLAGRANTE" is coined after, the record stands as a manifestation of chaos.
Lazywall - DEM 3LA DEM
Fire Fire Fire! The latest release by Lazywall, "DEM 3LA DEM," ignites the music scene with a sizzling fusion of Arabic folk and heavy metal, creating a genre-defying masterpiece that captivates from the very first note. The song starts with a killer solo, setting the stage for an epic journey into a realm where East meets West, and traditional meets modern. The vocals soon join in, seamlessly blending with the instrumentals to form an electrifying experience. What sets this track apart is the incredible mix, with pristine highs that soar like a majestic eagle and rumbling lows that shake the very ground beneath your feet. The carefully crafted stereo field surrounds you, immersing you in the band's rich sonic tapestry. "DEM 3LA DEM" is a unique narrative that takes you on a thrilling ride through the desert of emotions. The song's intense energy and progressive elements make it a standout in the music world, pushing boundaries and breaking barriers. This track would fit perfectly in movies that embrace the allure of the desert, like "DUNE" and "Mad Max: Fury Road." The powerful combination of Arabic folk and heavy metal would undoubtedly enhance the cinematic experience, taking viewers on a visceral journey across vast, arid landscapes. Primal sands unite: The Desert Metal Odyssey by Lazywall Lazywall's guitar work is nothing short of breathtaking, effortlessly blending the traditional oud with the rock guitar, creating a sound that lingers in your mind and soul. The band's ability to seamlessly switch between languages and connect cultures through music is a testament to their passion and talent. "DEM 3LA DEM" is a worthy addition to the Moroccan indie music scene, exemplifying the band's dedication to bridging the gap between East and West. With a rich background of influences from Led Zeppelin, Audioslave, and System Of A Down, Lazywall has crafted a truly unique and compelling musical trade route, leaving an indelible mark on the world of music. So hit that replay button and let Lazywall's "DEM 3LA DEM" take you on a journey of cultural exploration and musical ecstasy. This song is an ode to the rich cultural heritage of Lazywall, and it's the perfect title for this harmonious fusion of oriental rock and heavy metal. Lazywall's future shines brightly as they continue to rock the stage, leaving audiences mesmerized by their transcendent and progressive soundscape.
Dave Mohan - Lightning on Galatea
In a mesmerizing fusion of otherworldly harmonies, the latest instrumental masterpiece by Dave Mohan, "Lightning on Galatea," takes listeners on a cosmic odyssey through the uncharted realms of neo-soul. Mohan, a maestro at crafting sonic tales that stir the depths of the human experience, has ventured beyond the bounds of Earthly soundscapes to deliver a transcendent sonic encounter. With a dynamic blend of punk, soul and progressive jazz elements, "Lightning on Galatea" radiates an exuberant energy that resonates with the soul. The piano work shines brilliantly, evoking emotions that words could scarcely capture. A symphony of timbres cascades across the carefully crafted stereo field, immersing the audience in an auditory dance of swirling harmonics. The deft utilization of panning techniques creates a vivid sense of movement. As if traversing the very cosmos that inspired this composition. Furthermore, the sound would be a welcome addition to any indie jazz and funk playlist. Dave Mohan encapsulates an array of emotions through his music's shifting sonic landscapes in Lighting on Galatea. Lightning on Galatea: A Stellar Neo-Soul Journey" The track's upbeat vibe and ethereal undertones make it a prime candidate for captivating viewers in a science fiction realm. Picture this tune accompanying the opening sequence of an adventurous space opera like "Guardians of the Galaxy," propelling audiences into a realm where starships sail amidst constellations. Equally, the song's pulsating rhythms and cosmic cadence would harmonize seamlessly with the high-octane action of a TV series like "The Expanse," amplifying the drama of interstellar exploration. As a luminary within the indie music scene, Dave Mohan continues to demonstrate his extraordinary ability to provoke thought and inspire through his sonic tapestries. "Lightning on Galatea" is a testament to his artistic evolution. Embracing neo-soul's warmth and the avant-garde spirit of progressive jazz to create a symphonic escapade that is both evocative and electrifying. In conclusion, just as Mohan has consistently enriched the musical landscape with his introspective pieces. Additionally, this latest creation reinforces his role as a visionary dreamweaver, conjuring melodies that transcend time, space, and the ordinary constraints of existence.
THE ARI JOSHUA QUARTET - NUN KOMMT ES WERDER
The latest composition by Ari Joshua, "Nun Kommt es Werder" or "Now It Will Come," unveils a captivating dreamscape of melodies and textured ensembles that beckon listeners on an emotional downtempo journey. As the delicate jazz ballad commences, Joshua's guitar transports us to an exotic realm, skillfully weaving a tapestry of sound that defies clichés and conventional forms. In this intricate opus, Joshua collaborates seamlessly with his quartet, each member contributing to an evocative sonic canvas. Geoff Harper's adept mastery of the upright bass establishes a melodic foundation resonating with depth and sentiment. Joel Bean's elegant piano work adds sophistication and introspection, while Will Lone's impeccable drumming infuses rhythmic nuance and subtle dynamics, complementing Joshua's vulnerable explorations. Joshua's oeuvre, comprising over 100 original compositions, delves into a realm often overlooked amidst the deluge of modern content. His artistry, akin to an intimate conversation of rhythms and emotions, emanates from his soul-searching guitar. The minimalist brilliance he embodies subtly unravels with exquisite precision, capturing fleeting moments of deep expression beyond mere notes and scales. Guitarist Ari Joshua weaves a dreamlike tapestry of melodies and ensemble textures in an emotional down tempo composition Ari Joshua and his keen vision, combined with the expertise of Engineer Floyd Reitsma and Mixer Barry Sebastian, has birthed a masterpiece that resonates with a timeless allure. Furthermore, the skillful touch of Mastering Engineer Ed Brooks imparts a polished elegance to the composition. "Nun Kommt es Werder" finds its cinematic parallels in offbeat classics such as "Blow-Up" and "The Third Man." The song's emotional depth and nuanced layers would harmonize exquisitely with the introspective narratives and distinctive atmospheres of these films. The Ari Joshua Quartet's ensemble has crafted a work of art that transcends the ordinary, showcasing not just technical brilliance but an innate sensitivity that unites musicians and listeners in a shared moment of musical transcendence. In conclusion, as we immerse ourselves in the enchanting melodies of "Nun Kommt es Werder," we are reminded that amidst the vast sea of sounds, there are artists like Ari Joshua who illuminate the path to musical truth and beauty.
Plantoid - Dog's Life
Plantoid, the UK prog act's latest release, "Dog's Life," is a mesmerizing journey into the uncharted territories of experimental music. This audacious quartet from Brighton fearlessly blends the kaleidoscopic realms of psychedelia and jazz fusion, giving birth to a track that transcends genre boundaries and defies expectations. "Dog's Life" opens its doors to an enigmatic sonic universe, where the boundaries between nu-jazz and prog rock are not just blurred but intricately woven together. The vocals, reminiscent of the emotive cadence found in acts like Blackfield, form a harmonious marriage with the intricate instrumental landscape. The track’s emotive force is tangible, pulling the listener into its intricate tapestry. The mixing of the track is a masterstroke of creativity. The deliberate screeches of distortion that intermittently pierce through the composition add an otherworldly edge, creating an enticing contrast with the smoother elements. Furthermore, the VSTi synths act as ethereal threads that weave through the soundscape, enveloping the listener in an ambient sonic embrace. The tight bass groove acts as a sonic canopy, grounding the composition with a rhythmic pulse that is both hypnotic and commanding. Synaptic Odyssey: 'Dog's Life' Blends Jazz-Fusion Realms The true brilliance of "Dog's Life" lies in its meticulously crafted stereo field. The production expertise is evident in the way every element finds its specific place within the auditory canvas. This attention to detail creates an immersive experience where listeners can lose themselves in the sonic panorama that unfolds before them. In an alternate reality, "Dog's Life" could seamlessly find its home in the soundtracks of two iconic sci-fi movies: "Blade Runner 2049," where its atmospheric and avant-garde nature could mirror the film's futuristic aesthetic, and "Annihilation," with its surreal and mind-bending qualities resonating with the movie's enigmatic narrative. In conclusion, Plantoid has indeed carved a niche for themselves with "Dog's Life." Their audacious fusion of styles, coupled with their impeccable musicianship and production finesse, cements their presence as a formidable contender in the global indie music scene. This track is not just music; it's a cosmic experience.
Ruud Voesten - The Crypto Shuffle
Ruud Voesten, the visionary drummer and composer hailing from Rotterdam, Netherlands, has once again pushed the boundaries of musical exploration with his latest release, "The Crypto Shuffle." This experimental prog jazz composition is a mesmerizing tapestry of sonic storytelling that transports listeners into an enigmatic world where classical motifs seamlessly intertwine with contemporary soundscapes. The song opens with a hauntingly beautiful dark sax solo. Like a detective peeling back layers of mystery, the song gradually builds momentum, each instrument weaving its own thread into the intricate narrative. Voesten's careful arrangement effortlessly merges the past and present, as if Dante's spirit himself was guiding the composition. The production quality of "The Crypto Shuffle" is impeccable – a crystal-clear mix that showcases a symphony of acoustic instruments. The frequency spectrum is finely tuned, allowing each element to breathe harmoniously within the arrangement. Panning techniques create a vivid sense of movement, an auditory dance mirroring the progression through Dante's infernal rings. Title: Ethereal Enigma: "The Crypto Shuffle" Unveils a Noir Jazz Odyssey A special nod goes to the meticulous drumming by Ruud Voesten that anchors the composition, setting the rhythm for the journey through the sonic labyrinth. Every instrument, from the saxophone's mournful wails to the piano's introspective musings, boasts a vibrant dynamic range that adds an ethereal dimension to the piece. As the song unfurls its enigmatic tale, one envisions it fitting seamlessly into the shadowy world of noir mystery movies. Its evocative atmosphere would find a home among the dark and intriguing narratives of films like "Chinatown" and "Double Indemnity," or even within the intricate twists of a classic detective TV series like "True Detective." In its entirety, "The Crypto Shuffle" isn't just a song – it's a journey. A progression from darkness to revelation, mirroring Dante's descent into his personal inferno. Ruud Voesten's musical craftsmanship shines through in every note, making this composition a true masterpiece of progressive indie jazz.