CARL LIUNGMAN - AFFECTION & ABSENCE
Carl Liungman is a pianist and composer based in Southern Sweden who has created a musical style based on improvisation. He combines elements of Neoromanticism, Neoclassicism, modern Minimalism, Jazz, contemporary Film music scores, and Pop music to create emotive expressionistic pieces. He has a unique style and technique of his own that he developed after recognizing his ability to remember melodies, compose songs, and improvise on the piano. Carl has studied Classical and Jazz piano, Jazz theory, Musicology, Film music, and Composition under various teachers and professors. He has also written music for different projects such as theatre plays, short films, art installations, and poetry projects. Additionally, Carl has experience playing as a bar pianist in Sweden. His latest EP, 'AFFECTION & ABSENCE,' features four original piano pieces in a mix of Jazz and Neoclassical styles that tell a story about the hardships of love and intimacy through examination of absence and presence. Seeing music as a conversation of minds, expression comes naturally now to Carl Liungman. In addition to having the ability to transcend barriers, his instrumental playing depicts love, loss and the directions life tends to take. He started putting out music with his 2018 single, Brothers. In the incubation period of the pandemic-he crafted and put out two albums, Born in 2020 and Shine in 2022. Things we yearned for in isolation. With Affection & Absence, themes are depicted that all in the world connect with. To conclude, "With our hearts put together, may we feel." In conversation with Carl Liungman IMF got in touch with the pianist to venture into his mind and get further insights into his musical style and vision for Affection & Absence. Affection & Absence is a deeply emotional and carefully crafted piece of work. What was your vision for this album? Thank you! I wanted to express and depict the duality of my inner feelings of love and loss. The title piece ”Affection” came to me one day. The music just happened in front of my piano as I was improvising. The monotone flowing pulse in the left hand and the simple melody in the right hand that transform into some kind of sea of tones. Then back to the simplicity again. The playfulness and the painful nostalgia in interaction. It is all about my parenthood as a divorced father that gradually looses contact with my son. Hence the word "absence" in the EP title, ”Affection and Absence”. Being written around piano melodies, who would you state as your biggest influences for this project? Everything I play and compose is melody-making, even my minimalistic experimental works. I don’t know why but seem to have taken a lot of impressions from tv series soundtracks in my younger years in the 70s and 80s and further on. For example Joe Harnell’s ”The Lonely Man” as the theme song in the soundtrack of the 70s tv series ”The Incredible Hulk”. But also great themes as Bill Conti’s ”North and South” in the 80s. The biggest influence for specifically this project has been the late Swedish jazz pianist Esbjorn Svensson. And also the German pianist Nils Frahm. I am also inspired by jazz icon Bill Evans. In your opinion, how would you say minimalist instrumental music production differs from more contemporary trends in the industry? Minimalist instrumental music is often more rebellic in a way. And is like a great work of art, a painting. You can look at the painting and find more details if you study it. It is similair in the minimalist music. You let the music evolve and it opens up worlds inside of you. The productions are often more plain and simple and in my opinion simplicity makes music more interesting. Not always of course. Out of the 4 tracks on your EP, which one is a personal favourite? And why? Hard to point one out, but I must say the title track ”Affection” that is special to me as it came from my soul one day as a musical journal and reflection of my parenthood and how my relationship with my son was and is. But the song ”Disappear” is also very emotional to me. Very inwards. The 2022 studio efforts Born and Shine received critical acclamation. What can we as fans expect from your roster next? Thank you. I have new material for a great third album that will be more classical in the style of neoclassical piano music. Modern piano more intertwined with 19th-century piano music. A really pianistic and expressionistic album I think. Like a piano concerto. Affection and Absence is a record worth your time Liungman's piano melodies are minimalist and uses the sense of space to accentuate every note. The compositional structure may appear to be more 'horizontal' than 'vertical', meaning that every chordal progression and resolution is very carefully crafted. With a runtime of 21 minutes, the EP has 5 distinct tracks that explore a range of emotions and proves to be a testament to the artist's unique skillset as a neo-classical composer. With subtle harmonic nuances and an impeccable minimalist mix, Liungman consolidates his place as one of the most influential pianists of contemporary times. While each tracks carry their own unique flavour to them, the record never fails to lose its introspective sound that puts the pianist at the forefront of the Swedish indie music scene. Liungman may engage in a broad variety of complex, contradictory feelings because to his ingenuity and his EP is a testament to his unique skillset. This record may find itself in dramas with subtle emotional expressions like "The Terminal" or even darker noir films such as "We Need to Talk About Kevin".
The Loopstationist - Father and Son
Giulio De Marco, better known as "The Loopstationist," has once again demonstrated his exceptional talent as a music producer with his latest instrumental track, "Father and Son." The song is a captivating blend of neoclassical influences with a contemporary twist, drawing inspiration from Synthwave and Electronica genres. This fusion of genres is a testament to The Loopstationist's versatility and creativity as a music producer. The track begins with a delicate piano melody that sets the mood for the entire piece. As the song progresses, the electronic beats and synthesizer sounds kick in, creating a dynamic and captivating soundscape. Additionally, The Loopstationist has done an excellent job of balancing the various elements in the song, resulting in a cohesive and harmonious sound. One of the most impressive aspects of "Father and Son" is the way it tells a story through its music. The song is evocative and emotional, painting a vivid picture of a father and son's relationship through its music. Furthermore, the poignant piano melody, combined with efficient use of a DAW, creates a melancholic and nostalgic atmosphere that perfectly captures the emotions of the piece. The Loopstationist has crafted an immersive soundscape The Loopstationist's mastery of electronic music production is evident in the intricate layering of sounds and textures in "Father and Son." The song is a sonic journey that takes the listener on a mesmerizing ride, immersing them in the evocative soundscape. The track's blend of neoclassical influences and contemporary elements make it a perfect fit for movie soundtracks. The melancholic and evocative nature of "Father and Son" would be ideal for introspective family movies or coming-of-age dramas. The song would be a perfect match for movies like The Pursuit of Happyness, a story of a father's unconditional love for his son and their pursuit of happiness. If you are a fan of minimalist piano or electronic music, "Father and Son" is a must-listen track that is sure to captivate your senses and leave you wanting more. In conclusion, Giulio De Marco is indeed a name to watch out for in the Salento indie music scene.
Claire Bigley - Immersion
The latest release by Claire Bigley, "Immersion," is a mesmerizing journey into the realm of ambient neoclassical piano music. The track captivates listeners with its delicate melodies and ethereal atmosphere, showcasing Bigley's prowess as both a pianist and a composer. The mix of this new single is expertly crafted, utilizing atmospheric synth pads to create a lush sonic landscape that fills up the stereo field. The layers of sound seamlessly blend together, creating a rich and immersive listening experience. Additionally, the ambient textures serve as a perfect backdrop for the evocative piano melodies, adding depth and dimension to the composition. As the song unfolds, it gradually builds up, taking the listener on an emotional rollercoaster. The dynamic range of "Immersion" is vast, transitioning from gentle and introspective moments to powerful and soaring passages. Furthermore, this dynamic contrast adds to the overall impact of the piece, drawing the listener in and keeping them engaged throughout the entirety of the song. "Immersion" has the potential to become a pivotal part of two distinct drama/fantasy movies. In the mystical world of "Aurelia's Lament," the song's haunting soundscape could underscore the protagonist's inner turmoil, reflecting the dark and mysterious atmosphere of the film. Similarly, in the enchanting realm of "Chronicles of Solstice," the track's mystical ambience could complement the magical landscapes and enhance the emotional depth of pivotal scenes. Venturing into ambient waters Claire Bigley's background as a classically trained pianist shines through in "Immersion." Her years of experience as a teacher, accompanist, and musical director have undoubtedly shaped her artistry and allowed her to explore new horizons. With this latest release, Bigley demonstrates her versatility and creative growth, pushing the boundaries of her musical expression. In conclusion, "Immersion" is a testament to Claire Bigley's talent and artistic vision. She stated, "I found myself immersed in fertile, healing ground being challenged and stretched. I found myself asking who I am becoming, who I want to be, and what do I want to dive into. These questions and more created this song." With this captivating piece, Bigley has solidified her presence in the indie music scene, leaving a lasting impression with her unique blend of classical sensibilities and ambient soundscapes.
The Art of the Sun - Empty Words
The latest single by The Art of the Sun, 'Empty Words,' is an enchanting odyssey into the realm of alternative electronica, where experimental soundscapes intertwine with poignant emotional depths. The song radiates a profound sense of introspection, heightened by the artist's daring exploration of ambient tonalities and intricate harmonic textures. The carefully crafted stereo field amplifies the immersive experience, allowing each ethereal note to resonate in a meticulously balanced auditory panorama. The track's immaculate songwriting unfurls like a surreal narrative, leading listeners through a maze of emotions, propelled by pulsating beats and haunting melodic undertones. 'Empty Words' bears an uncanny resemblance to the haunting dream sequences in 'The City of Lost Children' and 'The Secret Garden,' both 90s fantasy masterpieces that encapsulate a similar otherworldly essence. A Mesmerizing Dive into Dreamlike Electronica Amidst the vibrant tapestry of the indie music scene, Art of the Sun's 'Empty Words' stands as a testament to the artist's visionary approach to genre-bending musical expression. The fusion of eclectic electronica and contemplative introspection showcases a profound understanding of musical nuance and emotional resonance, solidifying the artist's position as a pioneer within the avant-garde indie music movement. With 'Empty Words' serving as a captivating overture, the stage is set for the grand unveiling of 'Imaginary Journeys,' a musical spectacle that promises to leave an indelible mark on the fabric of contemporary music. As anticipation mounts, the audience eagerly awaits the upcoming four-part release 'Imaginary Journeys,' from The Art of the Sun, which promises to unravel new dimensions of sonic exploration, inviting listeners to embark on yet another transformative musical journey. With 'Empty Words,' Art of the Sun has not only crafted a mesmerizing sonic tale but has also elevated the essence of musical experimentation to unprecedented heights, leaving an indelible mark on the contemporary musical landscape.
Farbod Biglari - Café
The latest release by Farbod Biglari, Café, is a hauntingly beautiful exploration of emotional space, memory, and identity. Drawing from Middle Eastern folk traditions and delicately merging them with neo-classical piano, Café demonstrates Biglari’s continuing evolution as a composer who thrives at the edges of genre. His signature deep, soothing voice pairs intimately with a bed of subtle piano phrases, creating a rich, immersive soundscape that unfolds like a quiet conversation in a dimly lit room. What immediately stands out in Café is its vivid dynamic range. The track moves between moments of restraint and emotional bloom with a natural ease, revealing a unique-sounding note selection that carries a distinctly Iranian twist. Each melodic phrase feels intentional, informed by folk motifs but refracted through a modern lens. The piano plays not just as an accompaniment but as an emotional counterpoint, its neo-classical textures giving the song a timeless yet contemporary aura. The mix itself is masterfully handled. Biglari’s careful attention to the stereo field allows each element to breathe—strings gently linger on the periphery while the vocals remain centered and emotionally grounded. The result is a track that feels spatially alive, yet deeply personal. One could easily imagine Café underscoring a key moment in films like About Elly by Asghar Farhadi or No One Knows About Persian Cats by Bahman Ghobadi—both staples of the Iranian indie drama genre, known for their introspective mood and cultural nuance. Biglari, an Iranian composer currently based in Vancouver, continues to carve his place in the indie music scene with a sound rooted in both classical study and cinematic intuition. With a background in theatre and film, his work often blurs the lines between music and visual narrative. Café is a graceful reminder that Farbod Biglari is not merely writing songs—he is crafting experiences.
Ferdinand Rennie - Someone To Remember Me – 2025 Version
With "Someone To Remember Me – 2025 Version," Ferdinand Rennie delivers a soul-stirring ballad that fuses folk authenticity with gospel pop flair, creating a track that feels both timeless and current. The song opens with delicate acoustic plucks, laying a gentle foundation before gradually blooming into a dreamy spellbound soundscape with soaring synths and ambient undertones. Rennie’s dynamic vocal range is the centerpiece—rich, emotionally textured, and full of quiet power that crescendos into gospel-infused choruses. This 2025 reimagining of the original version isn’t just a revival—it’s a reinvention. The production is crisp and immersive, balancing earthy folk elements with layered harmonies and sweeping instrumentation that elevates the emotional intensity of the lyrics. The result is a moving experience that wouldn't feel out of place in biographical drama films like The Pursuit of Happyness or A Beautiful Mind—both of which explore deep personal struggles, resilience, and redemption. This track would seamlessly underscore a pivotal montage or closing scene, where pain meets hope. The song also finds its place comfortably within the indie music scene, with its raw, heartfelt delivery and refusal to conform to over-polished pop formulas. There’s a sincerity here that listeners seek out in independent music—a sense that the artist has lived the words he sings. Ferdinand Rennie, originally from Austria and now based in Scotland, first caught public attention in the 1980s when he placed fifth in the Austrian pre-selection for Eurovision. Since then, his career has steadily blossomed, with international recognition following his appearance on Britain’s Got Talent in 2022. "Someone To Remember Me – 2025 Version" is more than just a song—it’s a testament to an artist who continues to evolve while staying rooted in emotional truth.