Gunnar Ingi Guðmundsson’s latest track, “KÓSÝKVÖLD Í DES,” is a captivating fusion of electro-pop and alternative folk, showcasing his versatility as a songwriter and cinematic composer. The song opens with an enticing electronic beat, setting the stage for a unique sonic journey. The electro-pop elements provide a pulsating energy, while the alternative folk influences bring in a refreshing organic warmth.
The production of the track is commendable, with a vivid dynamic range that allows each element to breathe. The transitions between the electro-pop and folk segments are seamless, creating a dynamic listening experience. Gunnar’s expertise in creating a carefully crafted stereo field is evident, with layers of instrumentation unfolding across the soundstage. This attention to detail enhances the immersive quality of the music, making it an engaging experience for the audience.
In conversation with the artist:
1 > Walk us through your songwriting process including your biggest influences for the track.
I had written little pieces of music that I kept on my iPhone. Then I went to look at this piece of song later and I still found it very catchy and decided to keep trying to finish writing more and in the end I finished the song but some parts were more difficult than others and it took a while to finish the part. When it came to the arrangement, I wanted this song to be in some sort of 80’s style,
and I think I succeeded very well.
2 > How did the time spent in the studio help evolve the track into what it turned out to be? Which genre would you put the track in?
The soundtrack work took about 12 hours to record, arrange, mix and master. This song is an authentic 80’s song with a good free beat that makes people dance.
3 > What are your views on the rise of indie electronica in the global landscape thanks to streaming
services?
I think a streaming service is very good for the whole music industry, it’s easier for musicians to present their music, because here in the past it was only radio play that was the main thing and it’s not easy at all to get radio play for artists and bands so I’m happy that there is a streaming service.
4 > Where can fans expect to see you perform next in the upcoming weeks?
I myself am mainly a songwriter and composer, so I don’t perform much in public, but the ones who will perform my new Christmas song Cosynight in December, Rakel Pálsdóttir and Kjalar, are pop stars here in Iceland and they have come to perform.
5 > Talk to us a little about Eyðibýli. How did thinking as a bass player influence the cinematic
approach to its songwriting?
I wanted to make very epic music with a bit of drama and I thought abandoned farm was very suitable for that I need to describe some kind of rural romance in a dramatic and beautiful way!
Gunnar collaborates with Rakel Páls for the track. She is a singer/songwriter from Iceland who started singing and performing at an early age. Rakel focuses on pop and jazz music. Also lending his expertise is Kjalar.
“KÓSÝKVÖLD Í DES” would be a perfect fit for the soundtrack of movies that blend dance and comedy. Imagine the track enhancing the vibrant and quirky atmosphere of “Strictly Ballroom,” infusing the dance sequences with its energetic beats. Alternatively, the song could seamlessly complement the humor and wit of “In Bruges,” adding an indie music scene touch to the film’s soundtrack.