The latest release from Ari Joshua, “Lights Out,” is an 8-minute-long jazz extravaganza that will leave you spellbound. The track is a masterful display of musicianship, featuring sick modal changes and overlapping guitar and piano melodies that create a rich tapestry of sound. The guitar tone is particularly noteworthy – it is saturated and crisp, perfectly balancing the rest of the mix.
The production on “Lights Out” is incredible, with the organs and pianos sounding absolutely delicious. In addition, the way the instruments blend together is a testament to the skill of the producer, who has managed to create a seamless and cohesive experimental jazz soundscape.
IMF got in touch with the artist to discuss Lights Out
Lights Out is a clear winner for a spot in a contemporary Experimental and Alt-Jazz playlist. How did you come up with such a unique sound?
I wrote this one with drummer John Kimock and pianist Eden Ladin in mind. John is one of my favorite drummers on the scene and after listening to him the melody and chords just came to me.
After being well-known in the South African indie music scene for a while now, where do you see Ari Joshua as an act headed next?
I’m not aware I was well known on the South African indie scene but that’s great news to me. As an act? Where am I headed? I just want to impact more people in a positive way, and resonate with people.
A twisted complex emotional journey courtesy of Ari Joshua
As the track progresses, it leads the listener through a range of emotions. The opening piano melody is introspective with a hint of melancholy. As the Guitars come in, the mood becomes more upbeat and lively, with a sense of frenetic energy building in the background. Again, at around the three-and-a-half-minute mark, the track takes a turn towards the experimental, with dissonant chords and unpredictable rhythms creating a sense of tension. The compositional brilliance demands a shoutout to fellow contributing artists John Morgan Kimock, Andy Hess & Eden Ladin.
The song jumps through a vivid mix of emotions. What was your inspiration for such turbulent songwriting?
I’m not sure. I’m not sure it jumps through a mix of emotions. But I’m glad to hear you feel that way.
How was it working with John, Andy, and Eden? From your experience tell us a little about the benefits of collaborative efforts with these musicians.
Andy Hess is a real sweet guy, really genuine, his playing is A++. I’d travel to play with him any time. John is really special. He serves the song. He doesn’t overplay or ever seem to be showing off, he’s there with you, really present. Eden is a like a thick menu of tasty musical ideas that you may never get tired of. He just plays the most amazing ideas and rhythms. It’s a joy to have great players with the combination of not needing to prove anything just working on collaborating and making art.
What’s next?
After the positive reception of your initial releases like SoulMine and The $1000 Question, can your fans expect a full-length studio effort anytime soon?
Well yes. But due to the high cost of producing and full length and the way the industry is, it’s just been my focus to produce a song at a time. The songs will all fall into albums later. There is a plan.
Do you have any artistic insight or tips for upcoming songwriters who are willing to venture into progressive modern jazz?
Listen to the masters. Find a few recordings to FALL IN LOVE WITH. Study them like the people study the Bible. Plan on dedicating 10,000 hours one way or another, and go see lots of live music. Also, support the artists you live that are alive.
They deserve to be rewarded and appreciated!
This experimental jazz number would be perfect for a variety of TV shows and fantasy noir movies. Its off-beat and avant-garde sound would work well in shows like “The Fresh Prince of Bel-Air” or “Seinfeld,” where the music shifts in mood frequently. Also, in terms of movies, “Lights Out” would be a great fit for films like “Being John Malkovich,” which feature unconventional narratives and surreal visuals.
In conclusion, “Lights Out” is a tour de force of experimental-instrumental alt-jazz, showcasing the incredible musicianship and compositional skills of Ari Joshua. Furthermore, the South African rockstar consolidates his place in the global indie-rock scene with the addition of his latest release to his diverse discography which features tracks like Spooky, SoulMine, and The $1000 Question.
Links | Quality | Language | Player | Date Added |
---|---|---|---|---|
Play Now | Bandcamp |